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Tag Archives: Paul Bley

Karl Berger

Pianist and vibraphone participant Karl Berger cites Ornette Coleman being a good friend and coach; Coleman’s means of playing jazz are certainly shown in Berger’s idea, way more than some other vibist you can name. Berger eschews four-mallet technique; his design can be all single-line, with small (if any) chordal …

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Satoko Fujii

Japanese-born pianist Satoko Fujii was one of the most exciting fresh voices to emerge in avant-garde jazz through the ’90s, with the capacity of dissonant, post-Cecil Taylor free of charge improvisation, lovely single piano ruminations affected by Japanese folk and traditional music, and advanced big band graphs directed at fiery …

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Leo Cuypers

Dutch pianist Leo Cuypers played drums while a kid before switching to piano, even though he attended a conservatory in his hometown of Maastracht for a couple years, he was largely self-taught. Through the 1970s, he performed in the rings of such fellow Dutchmen as pianist Misha Mengelberg and saxophonist …

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Jamie Saft

Influenced keyboardist Jamie Saft started showing up on a growing amount of N.Con.C.-focused jazz recordings through the ’90s and very well into the fresh millennium. Created in Queens, NY, Saft analyzed at the brand new Britain Conservatory of Music and Tufts University or college. At these universities, he analyzed with …

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Georg Graewe

A German pianist and author of beautiful technique, Georg Graewe spent some time working with among the better performers in avant-garde jazz, modern, and improvised music from all over the world; including Uk saxophonist Evan Parker, Swedish saxophonist Mats Gustafsson, American percussionist Gerry Hemingway, Dutch cellist Ernst Reijseger, and Italian …

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Denman Maroney

Blessed in 1949, NY City-based acoustic pianist Denman Maroney noticed the innovators of bop, but was more attracted to 20th hundred years composers, creative improvisers, and normal urban and rural noises. His formal music research after senior high school took place in the Bennington University in Vermont (1969-1971), Williams University …

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Fred Van Hove

Fred Truck Hove researched theory, harmony, and piano in the Music Academy in Belgium and started playing professionally in 1964. He attempted different jazz and dance music idioms before implementing free of charge improvisation as his primary mode of manifestation. Van Hove started using saxophonist Peter Brötzmann in 1966. Their …

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Irène Schweizer

Pianist Irène Schweizer performed and recorded with leading Western european improvisers and free of charge jazz musicians because the 1960s, including feminine improvising groups beginning in the past due ’70s. Among the preliminary organizers from the Taktlos and Canaille music celebrations, she actually is also a founding person in the …

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Free Music Quintet

A completely descriptively named group, the Free of charge Music Quintet recorded one recording for ESP-Disk in 1968. The quintet included reedsman Peter vehicle der Locht, trumpeter Boy Raaymakers, violinist Erwin Somer, and bassist Ferdy Rikkers, most of whom doubled on percussion, and was led by Dutch percussionist Pierre Courbois, …

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Matthew Bourne

A active, forceful, and risk-taking pianist, Matthew Bourne defies pigeonholing but is kin to performers in the nu-jazz picture. Categories like this deny his wide appeal, nevertheless. He draws not merely upon the jazz piano custom of Count number Basie, Costs Evans, Herbie Hancock, and Thelonious Monk, themselves a mixed …

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