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Matthew Bourne

A active, forceful, and risk-taking pianist, Matthew Bourne defies pigeonholing but is kin to performers in the nu-jazz picture. Categories like this deny his wide appeal, nevertheless. He draws not merely upon the jazz piano custom of Count number Basie, Costs Evans, Herbie Hancock, and Thelonious Monk, themselves a mixed variety, but also upon the worlds of pop and traditional music, in the last mentioned case immersing himself in the avant-garde. Additionally, he provides ventured into digital music, collaborating with downtempo performers Broadway Task and Bonobo, aswell as having to pay tribute to Kraftwerk with French experimental guitarist Franck Vigroux. Blessed in 1977 in Avebury, Wiltshire, Britain, Bourne started playing trombone at age nine, used the cello at 13, and 2 yrs after that trained himself to try out piano, assimilating the music of Claude Debussy, Maurice Ravel, and George Gershwin. Fast improvement on cello and piano resulted in the abandonment from the trombone. All this happened while he was participating in primary and supplementary academic institutions, and by 1995, he was an achieved musician. For the reason that same yr, Bourne began acquiring a pastime in jazz. Also in 1995, he elevated £1,500 for the Hawksley Romania Trust by improvising in the piano every day and night. In 1996, he bought a Fender Rhodes electrical piano and began monitoring in the Leeds University of Music. Through the next couple of years at Leeds, Bourne started to develop a enthusiasm for English jazz from the ’70s and specifically musicians such as for example John Surman, Mike Osborne, Evan Parker, and Mike Westbrook, most of whom stayed constant resources of motivation. Concurrently, Bourne started to conform much less and much less towards the mainstream method of jazz and explored rather the globe of contemporary structure as well as the avant garde. In this same period, he was also suffering from severe episodes of tendonitis, a thing that experienced first made an appearance in the aftermath of his 24-hour charity marathon. He became mixed up in college’s modern music ensemble, playing John Cage, Morton Feldman, and Louis Andriessen, and was soloist in Michael Daugherty’s piano concerto Tombeau de Liberace and Cage’s Concerto for Ready Piano and Orchestra. After graduating in 2001 having a first-class level, Bourne continued to review for any PhD in Overall performance at Leeds University or college, which he gained in 2004. In 2001, he received the Adolescent Jazz Musician group of the Perrier Honours. Additional winners included vocalist Niki King as well as the Chris Hutchings Quartet, plus they all distributed a resulting record. The following calendar year, he gained the BBC Jazz Award for Technology. Bourne produced an ensemble known as the Electric powered Dr M with guitarist Chris Sharkey, bassist Riaan Vosloo, and drummers Dave Dark and Sam Hobbs; their self-titled album made an appearance on Audio Recordings in 2003. In 2005, Bourne gained the International Jazz Prize in the International Jazz Celebrations Company. His debut single record The Molde Concert (documented reside in Molde, Norway in 2005) premiered by Foghorn Information in 2008, and was fulfilled with acclaim. That same calendar year, he released albums with Trio Grande (Un Matin Plein de Promesses) and Dave Stapleton (Dismantling The Waterfall: The Mill Periods, Vol. 1). He also produced Bourne Davis Kane with bassist Dave Kane and drummer Steve Davis, as well as the trio released their debut record Shed Something on Model Records that calendar year. In ’09 2009, he collaborated with Vigroux, who released the duo’s Contact Me Madame (VERY GOOD NEWS from Wonderland) on his D’Autres Cordes label. Minute to Minute, a Bourne Davis Kane record with saxophonist Paul Dunmall, made an appearance on Slam Productions that yr, accompanied by the trio’s THE AMOUNT OF MONEY Records on Foghorn Information this year 2010. Bourne released collaborations with Trio Grande (Contain the Range!) and Tony Bevan, Tony Buck, and Barre Phillips (EVERYONE ELSE But Me) in 2011. The next yr, Leaf released Bourne’s debut studio room solo full-length Montauk Variants. The discharge was praised because of its serenity and elegance, and result in collaborations with Amon Tobin and Nancy Elizabeth, both of whom had been fans from the recording. Chansons D’amour, Bourne’s cooperation with Laurent Dehors, also made an appearance that yr. Bourne collaborated with Vosloo and drummer Tim Giles beneath the name Impermanence Trio, and their break up LP with Tricko Tareco made an appearance on Difficult Ark Information in early 2013. //Bourne/Berridge/Bourne//, a cooperation between Bourne and Broadway Task, was digitally released by ODS Recordings in 2014. Bourne Davis Kane’s Broken Light was released in past due 2015, as was Mandalas in the Sky, the trio’s second recording with Dunmall. Also in 2015, Bourne collaborated with Vigroux and set up designer Antoine Schmitt on some audio-visual events entitled Radioland, which paid tribute to Kraftwerk’s 1975 traditional Radio-Aktivität in special event of its 40th wedding anniversary. Leaf released Radioland: Radio-Activity Revisited in early 2016. Immediately after, the label also released Bourne’s single record Moogmemory, recorded completely over the Lintronics Advanced Memorymoog synthesizer.

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