Home / Tag Archives: Soul Jazz (page 11)

Tag Archives: Soul Jazz

Monk Higgins

Monk Higgins is most beneficial known for the R&B strike instrumentals “Who all Dun It all” and “Gotta End up being Funky.” The prolific Higgins also composed a slew of music for others including Bobby Bland and something from the Chi-Lites’ first singles, “Move Move Gorilla.” A mainstay from the …

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Willis “Gator” Jackson

A thrilling tenor saxophonist whose honking and squeals (although influenced simply by Illinois Jacquet) were quite exclusive, Willis Jackson was also a solid improviser who sounded perfectly aware of body organ groups. He performed locally in Florida in early stages, until signing up for Cootie Williams (on / off during …

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Wilton Felder

Wilton Felder spent over 30 years using the group referred to as the Jazz Crusaders (and afterwards the Crusaders). Within the mid-’50s whilst in senior high school in Houston, Felder, Joe Test, and Stix Hooper became the founding associates of the group, which shortly found Wayne Henderson as yet another …

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Stuff

Under the management of bassist Gordon Edwards, some of the most prolific studio room players around teamed together to create an all-star tempo section that on the part-time basis operated as an unbiased group. Back again around 1967, Edwards come up with the Encyclopedia of Spirit and through the following …

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Harold Ousley

Although Harold Ousley isn’t a large name within the jazz world and it has only documented sporadically like a leader, the hard bop/soul-jazz musician has backed some main jazz artists over time. Ousley (who’s mainly a tenor saxophonist but offers performed the flute as another instrument) was created in Chicago …

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Harold Alexander

Skilled saxophonist and flutist whose early and middle-’70s albums for Traveling Dutchman and Atlantic combined originals, spirit/jazz and R&B effectively. Alexander was a far more powerful soloist on flute; the 1971 discharge ARE YOU SET contained great remakes of “REARFOOT Sneakers” and “Watermelon Guy,” and was documented on the Montreux …

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Hampton Hawes

Hampton Hawes was among the finest jazz pianists from the 1950s, a fixture around the Los Angeles picture who also brought his own interpretations towards the dominant Bud Powell design. In the middle- to past due ’40s, he used Sonny Criss, Dexter Gordon, and Wardell Grey, amongst others on Central …

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Cannonball Adderley

Among the great alto saxophonists, Cannonball Adderley had an exuberant and happy audio that communicated immediately to listeners. His smart display of his music (frequently detailing what he and his music artists were likely to play) helped make him perhaps one of the most well-known of most jazzmen. Adderley currently …

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Ceasar Frazier

Hailing from Indianapolis, Ceasar Frazier was a funky soul-jazz organist who also recorded many albums for the Eastbound/Westbound label family members through the ’70s. First producing his tag in 1972 with among saxman Lou Donaldson’s funkier rings, Frazier slice his first recording Hail Ceasar! later on that 12 months, which …

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George Braith

Multi-reedist George Braith was among the hardly any jazz musicians to check out in the footsteps of Rahsaan Roland Kirk in performing multiple instruments at exactly the same time. Delivered George Braithwaite on June 27, 1939, in NEW YORK, Braith’s Western world Indian parents prompted all their nine kids to …

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