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Hailing from France, the group Sotos inscribes its make of progressive rock and roll in the rich avant-garde heritage of the country. Drawing motivation in the Zeuhl of Magma as well as the chamber rock and roll of Univers No (yes, the latter’s Belgian, but it’s close more than enough), Sotos weaves avant-prog anthems that are both complicated and driving. Made up of an innovative (and loud) guitarist, a good tempo section, and a string section comprising violin and cello, the group fills a difference between your directness of ‘90s Ruler Crimson as well as the acoustic compositions of early Univers No and Artwork Zoyd. Sotos produced in Bordeaux in January 1996. Guitarist Yan Hazera acquired grown sick and tired of the usual university rock and roll bands he is at and made a decision to try different things. He recruited four alumni in the French National College of Music, all youthful, most unexperienced, but all with musical likes that included left-field intensifying rock and roll: Bruno Camide (bass), Nicolas Cazaux (violin), Nadia Leclerc (cello), and his sibling Michael Hazera (drums). These were between 16 and 25 years previous. Right away, Camide and Yan Hazera divide compositional duties. Because of its initial calendar year the group centered on creating a repertoire of longer, intricate instrumental parts. The quintet performed its initial concerts in 1997 and quickly begun to pull interest in prog rock and roll circles, eventually growing its French market beyond the genre when it opened up for Irish vocalist Sinéadvertisement O’Connor and choice rock and roll superstars Noir Désir. Musea, the largest French prog rock and roll label, place Sotos under agreement and an eponymous Compact disc arrived in 1998 on its songs imprint Gazul. Beneficial press reviews guaranteed good days forward, however the label didn’t promote the music group beyond France. After documenting the soundtrack for Laurent Boulanger’s unbiased film Les 1001 Nuits, the group was agreed upon with the American label Cuneiform, signing up for a roaster that currently included fellow countrymen Richard Pinhas, Philarmonie, and Nebelnest, but also groupings closely related however you like like Boud Deun and Miriodor. The group’s second record, Platypus, was unleashed in Sept 2002.

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