Willis “Gator” Jackson

A thrilling tenor saxophonist whose honking and squeals (although influenced simply by Illinois Jacquet) were quite exclusive, Willis Jackson was also a solid improviser who sounded perfectly aware of body organ groups. He performed locally in Florida in early stages, until signing up for Cootie Williams (on / off during 1948-1955). His two-sided honking feature “Gator Tail” with “Cootie” (which gained Williams a lifelong nickname) was popular in 1948, and he began recording like a innovator in 1950. Jackson experienced an enchanting and creative collaboration with vocalist Ruth Dark brown for eight years, and frequently appeared on her behalf recordings in this period. His extensive group of Prestige recordings (1959-1964) produced him a large attraction around the body organ circuit. Although generally forgotten by critics, Willis Jackson continuing working continuously in the 1970s and ’80s. In 1977, he documented among the finest albums of his profession for Muse, Pub Wars.