Examining the tiny publishing catalog of the songwriter acknowledged as Richard Kuster, it might be a logical assumption that the person was enthusiastic about a single subject matter, as may be the court case with certain authors. If that subject is nation & western tale Jimmie Rodgers and/or his widow and making it through children, it could surely be referred to as a location of intense fascination with a genre that enjoys grand tributes to departed heroes. A large number of tracks name-check Rodgers within their titles, as the Kuster products head in the family members tree for “Small Jimmie’s Goodbye” aswell as imagining “Mrs. Rodgers’ Lament.” Nothing at all suspicious about some of this, taking into consideration to what level performers such as for example Ernest Tubb doted on both Rodgers and his making it through family members. Nonetheless, there is under no circumstances a songwriter called Richard Kuster as well as the titles involved had been in fact the task of publisher, manufacturer, and A&R guy Joe Davis. To become fair, it ought to be remarked that Davis in fact converted over half of his mechanised royalties for these tracks to widow Rodgers, much less ample as Tubb’s habit of granting the complete publishing of 1 song per record to her, however downright stupefying set alongside the single-minded greed with which Davis tended to strategy the business aspect of songwriting. It could be going too much, however, to believe that Davis’ deep sympathy for the widow’s reduction was the motivation for these tracks. His usual industrial impulses are more likely, since tributes towards the well-loved Rodgers had been extremely popular circa 1934. Therefore had been the tunes of Gilbert & Sullivan, Davis also composing and posting a ditty for the reason that duo’s design right around once as the Rodgers tunes. For the previous he used the ludicrous pencil name of John Paul Jones.