Tag Archives: Tito Schipa

Emilio de Gogorza was created to a family group of Spanish immigrants in Brooklyn. Like a son soprano, he journeyed to Britain, but came back to america when his tone of voice changed, privately learning voice with NY educators E. Agremonte and C. Moderati. Gogorza produced his debut in 1897 …

Amelita Galli-Curci was among the initial female operatic superstars from the phonograph. Among the countless tributes paid her was one from Compton Mackenzie, the creator of Gramophone newspaper, who stated he could acknowledge later years if he previously as many information of Galli-Curci by Caruso. Her history was Italian and …

Beniamino Gigli was the foremost Italian tenor from the 1920s with the 1940s, possessed of the smooth, lush tone of voice having a lyric sweetness frequently referred to as “honeyed.” He became a Metropolitan Opera celebrity, singing 28 functions there, and was the best heir towards the tenor Enrico Caruso, …

Tito Schipa’s recordings record the career of 1 of the very most important lyric tenors from the twentieth hundred years. His light, lyric tone of voice, while smaller sized than most operatic tenors, was therefore well produced it transported to the trunk of even the biggest theaters, and he was …

Canadian musician Rosario Bourdon was an important in the first times of the recording era being a performer, conductor, arranger, and composer. He was created near Montreal to musical parents who began him in the cello at age seven. His parents instantly recognized his abilities and he signed up for …

Standing aside from additional lyric sopranos of her day, Lucrezia Bori was an excellent interpretive artist, adept at utilizing the oboe-like timbre of her modest-sized tone of voice to generate interpretations of rare pathos. Without conventionally gorgeous, she bewitched her viewers into thinking her to be always a creature of …

Nicknamed “La Toti” by her many admirers, Toti Dal Monte possessed a light coloratura tone of voice whose delicate tone was often set alongside the strains of the nightingale. She was hence cast in assignments of vulnerable, frequently unpredictable heroines (i.e., Lucia in Lucia di Lammermoor and Amina in La …

Among the many Italian performers whose American professions were cut brief by pre-WWII anxieties, lyric soprano Mafalda Favero sang just two shows on the Metropolitan Opera in November 1938, both seeing that Mimi. For individuals who heard her there, nevertheless, the knowledge was indelible. Her tone of voice, wonderful appearance, …