If amounts in obscurity amongst historic jazz performers was classified according to gold and silver coins, after that Sterling Todd will be promoted to platinum. Discographer Tom Lord makes notice of only 1 recording program involving this designer in 1928, and therefore Todd just hardly managed to get into Lord’s discographical scrolls, not really that he’d have been skipped between the armies of obscurities. The research may be off its figures, anyhow, since there may be the chance for the pianist taking part in a program a year previously, in both instances as an associate of Doc Make & His 14 Doctors of Syncopation. Todd’s riffs are a part of an influenced “Brainstorm” and a confessional “Hum and Strum (Do-Do-Do, That’s What I REALLY DO).” In the ’90s, reissues of early materials offering trumpeter Freddie Keppard and Jimmie Noone brought extra recorded shows by Todd to light in the framework of Doc Cook’s Dreamland Orchestra. Additionally it is known that pianist was the just person in the Cook music group who didn’t lose his personal property throughout the catastrophic event that resulted in the demise of the interesting, prolonged ensemble. This will be considered mostly of the positive aspects to be a pianist: when this group experienced most of its devices taken while on break throughout a 48-hour dance marathon, it could logically become assumed that this thieves remaining the piano on-stage, although historians focusing on famous gear thefts won’t discuss this fine detail. Another historic truth about Todd is usually provided within an interview using the mom of Johnny Griffin, who says Todd offered piano lessons to her child the tenor saxophonist when he was a kid in Chicago. That is a sign that Todd at least spent a while teaching during his old age, perhaps in order to avoid additional encounters with device snatchers.