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Sebnem Ferah

With regards to pointing out a respected female figure in the Turkish modern rock picture, certainly it’s Sebnem Ferah. Most importantly this wounderful woman has a great tone of voice, heartfelt lyrics, lively concert events, a devoted group of fans, and she may also play your guitar. Ferah was created in Yalova in 1972. Developing up in a family group fully familiar with music and a residence filled with musical musical instruments, Ferah was into music young. She found her first electric guitar in her initial year of senior high school, where she shaped a band known as Pegasus and performed some regional gigs. Afterwards, in 1988, she shaped the all-girl rock-band Volvox. Writing the same stage using the leading large bands of that time period, Volvox managed to get through 1994 surviving in Bursa, Ankara, and Istanbul. In 1992, later-to-become a well-known encounter of Turkish rock and roll picture Ozlem Tekin became a member of the music group as the key pad participant, and even though the band ready and documented some demos, they under no circumstances could discharge an record. Therefore with disappointment they disbanded in 1994. Although short-lived, Volvox gave Ferah what she required: interest from specialists. Turkish diva Sezen Aksu and her composing/documenting partner Onno Tunc noticed Volvox on tv. In the blink of an eyesight, Ferah sang support vocals for Sezen Aksu. In 1996, Ferah released her initial record Kadin, which included a few of her greatest tracks, “Vazgectim Dunyadan,” “Yagmurlar,” “Bu Question Fazla Sana,” and “Firtina” to mention several. They featured a fairly refined and clean creation, possibly the aftereffect of maker Iskender Paydas; these arrived off much in a different way from how she’d later on perform the tunes live. Kadin was a big success and a lot of golf club and industry gigs adopted its release. 3 years later on, Ferah arrived to the picture with her second recording, Artik Kisa Cumleler Kuruyorum. She was dealing with the same creation group — Paydas and users of Mezarkabul (previously referred to as Pentagram) — but this time around she had mainly broken free from artificial synths. Being truly a decent rock recording, it was even more introverted, as she dropped her sister ahead of its launch. With much less catchy tunes, Ferah was also starting to create a group of fans who sing and experience all her lyrics rather than following who just memorize the strikes and disregard the relax. 2001 noticed Ferah think of a even more acoustic third recording, Perdeler, as Turkey was still wanting to heal the wounds from the damaging Golcuk earthquake — where Ferah also dropped his father. In addition to the business lead solitary “Sigara,” Perdeler dropped short of fabricating strikes. She also collaborated with Finnish cello rockers Apocalyptica around the name track. Her next thing was the 4th recording Kelimeler Yetse…, that was released in 2003. The recording was a minimal stage in her profession though it included “Ben Sarkimi Soylerken” and “Mayin Tarlasi.” 2 yrs later on, her fifth studio room recording, Can Kiriklari, arrived. Made by Tarkan Gozubuyuk — bass participant for Mezarkabul — the recording showcased her heavier part and was however her most distortion-friendly outing. A tour fueled up with pyro displays adopted. A live double-CD/Dvd and blu-ray, 10 Mart 2007 Istanbul Konseri, premiered in 2007. Her music group contains longtime users Buket Doran (bass), Metin Turkcan (acoustic guitar), Aykan Ilkan (drums), and Ozan Tugen (keyboards). She was also supported with a symphony orchestra, Istanbul Symphonic Task.

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