Sebastián Aguilera de Heredia

Sebastián Aguilera de Heredia was a Renaissance-era Spanish composer whose substantial result of vocal and body organ works was dedicated strictly to cathedral usage. He’s perhaps most widely known for his 36 choral configurations from the Magnificat, within his Canticum Beatissimae Virginis deiparae Mariae (released in 1618). A lot of his body organ music was essential, aswell: many consider Aguilera a seminal body in the introduction of the Aragonese college of body organ music. Aguilera was created in Zaragosa, Spain, most likely in mid-August 1561. Practically there is nothing known of his years as a child and early teenager years, though it really is believed he researched music in his indigenous town with Juan Oriz and Melchor Robledo. He also ready for the priesthood during his formative years and was ordained in January 1584 at Saint Paul the Apostle Cathedral, in Zaragosa. The next year he guaranteed the renowned post of organist on the Huesca Cathedral, where he’d provide until 1603. Most likely his first compositions time to his Huesca period. On Sept 29, 1603, Aguilera assumed the post where he’d spend the rest of his profession — key organist on the La Seo Cathedral in Zaragosa. Normally, his function there also encompassed shows of priestly features, nonetheless it was right here, as well, that he constructed his most well-known compositions, just like the above mentioned assortment of Magnificats, whose 1618 publication would garner him significant bequests from both La Seo and Huesca Cathedrals. Aguilera got also become a specialist in body organ building and maintenance during his profession, his first main undertaking with this uncommon craft arriving when he offered as supervisor of construction from the body organ in the Huesca Cathedral in 1588. In the La Seo Cathedral he frequently supervised maintenance and renovations towards the body organ. By the first 1620s, Aguilera experienced become a effective physique in Spain, both musically and in chapel issues. His music, though not necessarily innovative, affected the functions of younger-generation numbers like Correa de Arrauxo, Jose Cabanilles, Rodrigues Coelho, and José Ximénez. Ximénez, most likely his most significant college student, was appointed his associate in the La Seo Cathedral in 1620, owing primarily to Aguilera’s substantial sway there. Aguilera passed away in 1627. His protégée Ximénez, relative to Aguilera’s wishes, been successful him as 1st organist in the La Seo Cathedral. Aguilera is normally regarded as the main Spanish author of chapel music from his era.