Discharging potent tunes using their punk rock-driven themes, Ex-Girl provides away vigorous answers to the choice punk scene. Ex-Girl created in past due 1997 in Japan, having a three-piece lineup constituted by Kirilo (bass, vocals), Chihiro (acoustic guitar, vocals), and Fuzuki (drums). Despite devoid of any earlier musical experience, japan trio began touring the neighborhood underground picture and shortly soon after fixed the eye of manufacturer Hoppy Kamiyama. In 1998, the all-girl trio provided its first studio room recording, the record Heppoco Pou, that in a short time journeyed the Pacific and began attaining some airplay at San Francisco’s university r / c. The enthusiasm encircling the band’s rousing designs soon created enthusiastic outcomes, and in the summertime of this same season, Ex-Girl toured both Japan as well as the U.S. Kero! Kero! Kero!, the group’s second record, made an appearance in 1999, substantiating their resourceful instructions and augmenting an often larger group of fans. Big When Considerably, Little When Close, the crew’s third studio room effort, strike record shops on both edges from the Pacific still in 1999, once again with creation credits by Kamiyama. Pursuing an extensive Western european tour alongside Fantomas, among Mike Patton’s aspect projects, Ex-Girl once again entered the studio room to record a 4th record. Back again to the Mono Kero found its way to 2001, with the Ipecac label, once again achieving surprising outcomes, not only within the U.S., but additionally in European countries. In past due 2001, Chihiro parted methods using the music group and was changed by Keiko, previously with Super Junky Monkey. Still in 2001, the punk ensemble released just one more full-length record, Revenge of Kero Kero.