b. 8 March 1925, Johannesburg, South Africa. An exceptionally well-known singer in the united kingdom, particularly within the 50s, with a complicated style which was particularly appealing to the youthful female inhabitants. Lotis educated for four years being a youngster soprano, and earned several mugs and medals. He produced his initial stage appearance at age seven, and his initial broadcast when he was nine. After departing school, he proved helpful being a bus conductor and electrician, and sang in cinemas and nightclubs in Johannesburg. When he shifted to the united kingdom in the first 50s, he transported with him a notice of launch to Ted Heath through the previous London saxophonist and music group head Don Barrigo. Carrying out a handful of broadcasts with Henry Hall, Lotis became a member of the Heath music group, and, alongside the various other citizen vocalists Lita Roza and Dickie Valentine, became perhaps one of the most well-known singers for the circuit. Lotis’ vocal abilities were apparent on such information as ‘Sam’s Tune’, ‘Goodnight Irene’, ‘Even so’ and ‘She’s A Female’ (with Roza and Valentine). After experiencing popular with ‘Cuddle Me’, he proceeded to go solo, and through the past due 50s toured the united kingdom variety circuit, made an appearance in his initial Royal Command Shows, and rejoined the Heath music group to get a tour of the united states, including an appearance at Carnegie Hall. He was also voted Best Male Singer within the 1957 Melody Machine poll. In 1956 he made an appearance within a touring creation from the stage musical Tranquility Close and, 2 yrs afterwards, starred in John Osborne’s The Globe Of Paul Slickey, a ‘musical humor of manners’ which was badly received in Britain. Lotis also produced several films, an assortment of crisis, humor, musicals and horror, like the Extra Time, It’s AN EXCELLENT World, Town Of The Deceased and She’ll NEED TO Move. Among his various other stage jobs was an appearance as Lucio in John Neville’s Playhouse Creation of Shakespeare’s Measure For Measure. Adversely suffering from the changing encounter of well-known music, he performed the working males’s night clubs, and went his personal antiques and cafe businesses for a while. Eventually, within the 80s and 90s, he came back towards the theatres, performing in nostalgia displays with contemporaries such as for example Joan Regan and Russ Conway.