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Tag Archives: Maria Callas

Mario del Monaco

The stentorian dramatic tenor of Mario del Monaco was heard across the world through the 1950s and 1960s. While frequently berated by critics for his unsubtle vocal creation, del Monaco was a preferred of viewers who valued his power and sincerity of strategy while tackling the heaviest functions in the …

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Antonino Votto

Italian conductor Antonino Votto was an extremely effective protégée of Arturo Toscanini. Votto increased to world-wide prominence in the 1950s mainly on the effectiveness of his several effective operatic recordings for EMI with well-known soprano Maria Callas. But he also created a reputation among the leading operatic conductors of his …

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Melchiorre Luise

Melchiore Luise was a trusted comprimario in Italian opera businesses in the 1950s. (A comprimario may be the operatic exact carbon copy of a personality professional). Among the traditional recordings where he participated had been Renata Tebaldi’s La forza del destino and Maria Callas’ Tosca.

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Carlo Felice Cillario

Retiring in March 2003 from a lot more than three decades using the Australian Opera, Carlo Felice Cillario stood being among the most singer-friendly of conductors. A existence on many documented opera recitals, Cillario was a regular visitor towards the studio, and a reassuring conductor of opera shows in many …

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Dario Caselli

In the annals of opera, the comprimari singers are rarely celebrated. They are the character stars from the genre: dependable singers, actually or vocally not really celebrities, but with the flexibleness and professional achievement to appear on a single stage using the Carusos, Callases, Pavarottis and Frenis in functions like …

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Tito Gobbi

Tito Gobbi was an admired operatic baritone. He originally researched at Padua University or college for a profession in legislation, but he ultimately offered that up and only pursuing tone of voice lessons in Rome with Giulio Crimi. He produced his operatic debut in the city of Gubbio in 1935, …

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Luigi Alva

Generally in most eras, the heavy Verdi, Puccini, and Wagner singers are in the limelight as well as the smaller-voiced bel canto performers are cast within their shade. This is particularly accurate in the 1950s and ’60s yet Luigi Alva, unlike a lot of, never attempted to go out of …

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Giuseppe Taddei

As well as Tito Gobbi, Giuseppe Taddei very best exemplified the fantastic custom of Italian baritones in the post-WWII period. As opposed to Gobbi’s leaner device, Taddei’s tone of voice was huge and round, sometimes susceptible to unsteadiness, but silken in timbre and often at the assistance of the incisive …

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Italo Tajo

Although his handsome bass voice lacked the weight often anticipated within a low-ranged singer, Italo Tajo produced an effective career predicated on his excellent grasp of style and character. Especially adept in Mozart, Tajo performed an array of bass individuals and demonstrated an affinity for comic assignments. Tajo eventually used …

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Elena Nicolai

This Bulgarian-born, but Italian-based mezzo soprano possessed among the largest, most exciting instruments of her time. Much less smooth of tone of voice than her colleague — and competition — Ebe Stignani, Elena Nicolai acquired a by a lot more tempestuous stage character, one perfectly suitable for such people as …

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