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Antonino Votto

Italian conductor Antonino Votto was an extremely effective protégée of Arturo Toscanini. Votto increased to world-wide prominence in the 1950s mainly on the effectiveness of his several effective operatic recordings for EMI with well-known soprano Maria Callas. But he also created a reputation among the leading operatic conductors of his period due to his many acclaimed shows at La Scala, in Milan, where he worked well regularly for pretty much 2 decades. Votto was created in Piacenza, Italy, on Oct 30, 1896. He enrolled in the Naples Conservatory for music research and after graduation offered as répétiteur at La Scala. He was also an associate conductor there to Arturo Toscanini. In 1923 Votto produced his recognized debut, leading a overall performance of Puccini’s Manon Lescaut. With periodic looks at La Scala and additional major operatic locations in Italy and overseas, Votto gradually constructed a status as the main one of the very most excellent conductors of Italian opera of his period. In 1941 he started teaching on the Giuseppe Verdi Conservatory in Milan, the battle restricting operatic activity in Italy & most parts of European countries. Over time, his learners included Claudio Abbado and Riccardo Muti. Votto started conducting frequently at La Scala in 1948, though Victor de Sabata was the music movie director. In the documenting studio and probably in the live shows he led over another 2 decades at La Scala, Votto would rival de Sabata, aswell as his youthful successors there, Carlo Maria Giulini and Guido Cantelli. Votto produced some highly effective recordings in the 1950s with Callas, predicated on luxurious productions staged at La Scala using the iconic soprano. Their collaborations on Puccini’s La bohème (1956), Verdi’s El Ballo in Maschera (1956), and Bellini’s La Sonnambula (1957), for EMI, had been enthusiastically received by both critics and general public. Surpassing this imposing trio, many believe, had been their two live recordings of Bellini’s Norma and Giordano’s Andrea Chenier, both from 1955. Though Votto experienced debuted at Covent Backyard in 1924 in shows of Puccini’s Madama Butterfly and Leoncavallo’s I Pagliacci, his American debut didn’t arrive until 1960, when he made an appearance in the Chicago Lyric Opera to carry out two Verdi staples, Aida and Don Carlo. Votto continued to be energetic at La Scala until 1967. In his staying years he limited performing appearances. Votto passed away in Milan on Sept 9, 1985.

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