ROVO

Japanese experimental instrumental rock-band Rovo were shaped in 1996 round the central innovative duo of guitarist Yamamoto Seiichi, formerly from the Boredoms, and violinist Katsui Yuji, who via his background in various rings was also very well acquainted with japan underground music picture. Completing the lineup are drummers Yoshigaki Yasuhiro and Okabe Yoichi, bassist Jin Harada, and key pad participant Masuko Tatsuki. The original impetus from the band originated from Katsui’s desire to include a number of the atmosphere of rave music into Japanese underground rock and roll, and for that reason, a lot of Rovo’s music is made around psychedelic, dance music-influenced grooves, albeit with regular diversions into jazz, funk, Afro-beat, dub, Latin music, intensifying rock and roll, and Krautrock. Neu! is really a frequent stage of comparison because of both rings’ propensity for minimalist grooves and repetitive, propulsive drums and percussion. During the period of the band’s several initial albums and live produces, Rovo are suffering from an immediately recognizable sound, thanks a lot mainly to Katsui’s unique electric violin audio and the contending rhythmical textures of both drummers/percussionists. Rovo’s debut recording, Pico!, premiered in 1998 through Sony Music, mainly because was the next year’s Imago, which also garnered a U.S. launch in 2001. 2000’s Pyramid noticed the music group develop its drone and repetition-driven dance rock and roll concept to even more extremes, using the recording listing only an individual monitor. Sometimes Rovo been employed by with an increase of mainstream acts, using the group remixing the monitor “66db” by ex-Judy & Mary vocalist Yuki, as well as the tune “Fairway” for indie dance music group Supercar (on whose last record, Response, Katsui would afterwards play being a visitor musician). In 2001 they protected “Capture and Discharge” to get a Manuel Gottsching tribute record; in 2003, they documented a monitor to get a compilation record predicated on musical conceptualizations from the manga and anime personality Tetsuwan Atom (“Astro Young man”); after that in 2004, they documented a cover from the Pop Group’s “WE HAVE BEEN Period” for the compilation recording Fine Occasions: A Tribute to New Influx. Throughout their profession, Rovo have managed a steady result of albums and toured frequently despite each member having commitments to several other rings. In 2006, the group setup a fresh label, ROVO Business, by which they released the albums Condor and 2008’s Nuou. This year 2010, they released Ravo on Wonderground, and adopted it a 12 months later on with Rovo Dub. After starting Western and Japanese trips, the band returned into the studio room to cut Stage, that was released the next year. Throughout that tour, a romantic relationship was founded with Program 7 predicated on shared admiration. It resulted in a set of documenting projects, the very first, Phoenix Increasing, was billed to Rovo Program 7 and released in 2013 and accompanied by the Hinotori EP comprising remixes and fresh tracks.