Heitor Leite Sodré (Heitor Catumbi) popularized the samba-choro as well as the samba-de-breque (the break was initially inserted within a samba-choro) along with his compositions “Comigo Não” (lyrics by Valentina Biosca, recorded by Carmen Miranda) “Exaltação ? Bahia,” “Roseira Branca,” among others. He was the kid from the violonista (acoustic guitarist) Manduca Cabeleira and protegé from the violonista Manduca de Catumbi, with whom he learnt to try out the cavaquinho. Since his youth, he had been playing at celebrations. In another of them, Eduardo das Neves uncovered him, getting him towards the Irmãoperating-system Temperani circus when he was ten. Having achievement, he was instantly hired with the circus owner, who provided him his stage name. In 1912, he composed his first structure, “Na Caixinha Ninguém Mexe.” Around 1915, he became close friends with Catullo da Paixão Cearense, João Pernambuco, Bulhõha sido, Bequinho, and Cardoso de Meneses. Within the next calendar year, he composed lyrics for the modinha by Galdino Pimentel that was successful: “Em São Cristóvão Onde Fui Criado.” The modinha also acquired lyrics by Catullo and was called “Templo de Ideal.” From 1919 on, he began to take part in Casa Edison recordings playing the violão as well as the cavaquinho. A few of these recordings had been with Ernesto Pimentel, Conjunto perform Louro, and Grupo Chiquinha Gonzaga. In 1927, he began to perform in radio, starting over the Rádio Sociedade, after that on Rádio Clube. In 1931, he visited Rádio Philips and, within the next calendar year, were only available in the Programa Casé by writing a sketch with Moreira da Silva. He also proved helpful for the Guanabara, Ipanema, Educadora, and Transmissora radios.