Quique González

Quique González is really a Spanish singer/songwriter well known for his approachable and normal writing design. González was created in Madrid in 1973. Pursuing less than effective exploits in Mallorca and London, he came back to Madrid to be able to go after his like of music. González started executing locally and collaborating with performers like Enrique Urquijo. González’s tune “Äunque Tú No Lo Sepas” made an appearance using one of Urquijo’s information, resulting in the pair executing the song go on tv in 1998. The looks provided González his initial national publicity. A two-song demonstration entitled Cantautores: La Nueva Generación quickly implemented. Frustrated in discussions with PolyGram, González made a decision to discharge his full-length debut separately, though it floundered without major-label support. The album’s quality, nevertheless, secured a agreement with PolyGram, which released González’s sophomore work, Salitre 48, in 2001. González’s popularity as a article writer with wry wit and personal awareness grew using the discharge of Pájaros Mojados in 2002. Because the record sector shifted beneath him, González searched for an alternative solution to dealing with the multinational brands he claimed had been preoccupied with pop superstars and reality tv. He set up Varsovia!!! Information in 2003 using the discharge of Kamikazes Enamorados. He released two information on his store label before putting your signature on using the Spanish powerhouse label DRO Atlantic. His pursuits using the label included Ajuste de Cuentas, a live record from 2006 that highlighted guest areas by close friends Enrique Bunbury, Iván Ferreiro, Rebeca Jiménez, and Jorge Drexler. Issued in 2007, Avería con Redencíon became probably the most effective of his profession to date. It had been called by Rolling Rock Spain because the greatest national record that season and nominated for Greatest Rock Album on the Premios de la Música honours. It was accompanied by a rigorous tour that required him towards the phases of several major celebrations and theaters. After a lot more than ten years available, González sought a big change. He parted along with his label and relocated to Nashville in ’09 2009. Through the earlier 12 months he’d been sending demos backwards and forwards to vocalist/songwriter and maker Brad Jones (Matthew Nice, Allison Moorer, Chuck Prophet, Hayes Carll). Upon his introduction, he and Jones enlisted some Music Town studio room aces, including pedal metal story Al Perkins, to donate to the Sony-issued arranged Daiquiri Blues. On the next couple of years González got utilized alive in Nashville, playing displays in the us and Spain. He didn’t record once again for four lengthy years. Arriving in 2013, Delantera Mítica was also made by Jones. It had been a far more stripped-down vocalist/songwriter affair, whose tunes centered on bohemian existence, societal ills, and passionate betrayal. It presented efforts from Americana stalwarts Will Kimbrough and Chris Carmichael, in addition to Spanish music artists Leiva and César Pop. The recording also provided a surprise reward monitor — a Spanish cover of Bob Dylan’s “Is definitely Your Like in Vain.” After some touring, González came back to the studio room, this time around with maker Ricky Falkner and an all-Spanish music group. He emerged beside me Mata Si Me Necesitas in March of 2016. The recording was streamed free of charge on your day of launch by Spain’s Un País newspaper’s website.