Orlando Poleo

b. c. 1965, Caracas, Venezuela. Poleo started playing percussion equipment in early youth and studied for some time with Julio Mendez, a locally observed instructor. As Poleo created his abilities, he took a pastime in African forms and was tutored by Miguel Urbina. He performed and often documented with many observed performers from SOUTH USA and his skill was also regarded in THE UNITED STATES and specifically in Europe. One of the performers with whom Poleo documented are Adrenalina, Clarox, Sergio Pérez, Alberto Naranjo, Gerardo Rosales, Pablo Gil, and Saxomania. The eye proven in his function in France drew Poleo there frequently, and from the first 90s he spent a lot of his period surviving in Paris and playing celebrations around the united states. He also followed visiting performers in the Americas, showing up on expenses with Irakere, Arturo Sandoval, Mongo Santamaría, among others. In the middle-90s Poleo produced his own-name documenting debut with Cimarroneando, which he collaborated with flautists Orlando ‘Maraca’ Valle, and Dave Valentin. Various other instrumentalists with whom he done his own-name pieces included trumpeters Phillipe Slominski, Tony Russo and Christian Martinez, saxophonists Bobby Rangell and Allen Hoist, pianists Julio Font and Gerardo Dí Gíusto, bass participant Xavier Padilla and percussionists André Céccarelli, Luis Viloria and Robert Vilera, in addition to performers Orlando Blanco and Carlos Esposito. Lots of the monitors performed on Poleo’s very own albums had been his compositions, including ‘Publicidad Gratuita’, ‘Je T’Apporte La Salsa’ and ‘Tema De Chaworo’. Among his songwriting collaborators have already been Valle, Font, Dí Gíusto and Padilla. Although his recordings had been mostly manufactured in Caracas, Poleo concurrently led a music group, Chaworo, in Paris and in addition appeared at past due 90s celebrations in Marciac, Nimes and somewhere else, including showing up with David Sanchez in London.