Juaneco y Su Combo

Juaneco con Su Combo have a tale ready-made for an bout of Behind the Music, filled with hallucinogenic medications, jungle experience, hardscrabble barrio lifestyle, a fatal airplane crash, and a lot of rock and roll & roll. Within their heyday in the first ’70s, Juaneco con Su Combo had been perhaps one of the most innovative chicha rings in Peru. And what’s chicha, you might talk to? Chicha was spontaneously developed by the lifestyle clash from the past due ’60s, once the Indian people from the Peruvian Amazon uncovered the Colombian pop music referred to as cumbia and American rock and roll & move. When essential oil was uncovered in the Amazon, essential oil companies invaded the spot, getting some modicum of civilization and growing around careers that offered indigenous people some way of measuring throw-away income. As inexpensive electric tools became obtainable, Amazon Indians come up with dance rings which used the syncopated defeat of cumbia — which appears like a laid-back Latin cousin of ska — because the basis for melodies that appear to be Andean folk music played on guitar with plenty of results and Tex-Mex-style Farfisa body organ. Juaneco as well as the people of his combo resided in the Amazonian city of Pucallpa, inhabited mainly by Shipibo Indians. Juan Wong Paredes, a saxophone participant of Chinese language ancestry who produced bricks by day time and performed music by night time, started the music group to try out jazz and dance music. Ultimately his boy, Juan Wong Popolizio, got over leadership from the combo and exchanged in his accordion to get a Farfisa. Another people of the music group, which now known as itself Juaneco y Su Combo, got already heard browse music and spaghetti Traditional western soundtracks on cassettes earned by the essential oil workers. They might grab Colombian cumbia and Brazilian carimbo, a percussion-based pop music, on the radios, and started blending those components with the original music from the Shipibo people. Popolizio brought guitarist Noé “Un Brujo” Fachin in to the music group. Fachin performed criollo music (known as Afro-Peruvian within the U.S.) for the guitar with a distinctive fingerpicking design. He’d also lately obtained a wah-wah pedal, and produced good usage of it. Fachin became an excellent songwriter and a first-rate guitarist. He had written music incorporating cumbia, carimbo, Afro-Peruvian, huayño (the folk music from the Andes), psychedelic rock and roll, reggae, as well as other musics right into a outrageous and woolly sound that established the specifications for chicha. He was also adept in the usage of ayahuasca, a psychedelic created from the bark of the jungle vine, as well as the lyrics had been a heady brew of indigenous designs, forest and jungle common myths, and his very own internal voyages. Fachin once stated his best tracks found him while he was on ayahuasca. The bandmembers started dressing in the original garb from the Shipibo people. If they shifted to Lima, they discovered the outfits weren’t a negative marketing strategy in any way. After settling in Lima in 1970, Juaneco con Su Combo became market leaders from the so-called Ola Amazonica — the Amazonian Influx. Their first strike, for the now-defunct INFOPESA label, was “Mujer Hilandera,” a cumbia edition of the Brazilian tune, “Mulher Reindeira,” which Joan Baez also once documented. The achievement of “Mujer Hilandera” resulted in many albums, including Un Gran Cacique (1970, INFOPESA; 2008, Barbès). The album’s achievement made them the best chicha music group plus they toured throughout Peru, Brazil, Ecuador, and Colombia. INFOPESA’s owner and manufacturer, Alberto Maravi, produced three even more albums using the music group. Their traveling Farfisa, psychedelic acoustic guitar excursions, relentless rhythms, and indigenous outfits made them a large appeal in Lima, although chicha was shunned by the center and top classes because of its “road vibe.” The achievement of the group paved just how for other rings like Los Mirlos, Los Hijos del Sola, Los Destellos, Los Diablos Rojos, and Eusebio y Su Banjo, but Juaneco y Su Combo continued to be the innovators. ON, MAY 2, 1977, after playing a Labor Day time party, a lot of the music group was flying back again to Pucallpa on a little private aircraft. The aircraft crashed, eliminating Noé Fachin, Walter Dominguez, Ediberto Vasquez, Jairo Aguilar, and Wilfredo Murrieta. Juan Wong Paredes, vocalist Wilindoro Cacique, timbalero Rosendo Hidalgo, and conguero Juvencio Pinchi completed production around the band’s last recording and continued with five fresh users. They by no means regained the advantage that they had with Fachin, but continued to be well-known in Peru. In 2004, Juaneco passed away and his child, Mao Wong Lopez, overran the music group. There the storyplot might have finished, however in 2007 Oliver Conan, owner of Brooklyn’s Barbès nightclub and record label, found out the music on a journey to Peru. He released a compilation for the U.S. marketplace called Origins of Chicha: Psychedelic Cumbias from Peru (2007, Barbès), and globe music followers went nuts because of this fresh defeat — that was actually 40 yrs . old. Juaneco con Su Combo had been rescued from obscurity and began playing within the hip locations of Barranco with youthful rock and roll rings who worshiped their vintage sound. Several tv documentaries have already been made regarding the music group, which includes been profiled in Peru’s trendiest journals. In past due 2008 the music group was hoping to create its initial tour from the U.S.