Hermínio Bello de Carvalho

Hermínio Bello de Carvalho has already established a multifaceted impact for the musical picture. A renowned lyricist and composer, he offers created Brazilian classics via partnerships with illustrious personalities like Cartola and Carlos Cachaça (“Alvorada no Morro”), Chico Buarque (“Chão de Esmeraldas,” Prêmio Clear of 1997 as greatest samba), Maurício Tapajós (“Deixe Estar,” “Mudando de Conversa”), Pixinguinha (“Deixe Estar,” “A Harmonia das Flores,” “Isso É Que É Viver,” “Isto Não Se Faz”), Elton Medeiros (“Pressentimento”), and Paulinho da Viola (“Sei Lá, Mangueira” and “Rosa de Ouro,” the second option also with Elton Medeiros). Carvalho also had written a lot more than 20 books, found out talents like previous maid Clementina de Jesus, Paulinho da Viola, Elton Medeiros, João Nogueira, Candeia, João de Aquino, and Essential Lima, and offered lectures about Brazilian music in a number of countries. He created over 100 albums, including some by Radamés Gnattali, Dalva de Oliveira, Pixinguinha, and Elizeth Cardoso, and was the first ever to produce information by Cartola, Nelson Cavaquinho, and Carlos Cachaça. Since he was a kid, Carvalho admired well-known and traditional music. He debuted his profession at the condition Radio MEC (Rio de Janeiro), composing educational musical displays. He released the to begin a lot more than 20 books in 1962. 2 yrs later, using the starting of Cartola’s pub Zicartola, which became a gathering point of the very most essential sambistas of Rio de Janeiro, he fulfilled many of his long term companions, like Paulinho da Viola, Elton Medeiros, and Mauricio Tapajós (with whom he produced his first music, “Mudando de Conversa”). Also in 1964, he began advertising concerts bridging the distance between traditional and well-known music, just like the one where he shown an until-then maid, Clementina de Jesus, followed by consecrated traditional guitarist Turíbio Santos. In 1965, he created the historic display Rosa de Ouro, which got the popular Araci Cortes as well as de Jesus and additional unknown (until after that) performers, Paulinho da Viola, Elton Medeiros, and Nelson Sargento. The display was documented live and yielded the anthological recording Rosa de Ouro I. With Edu Lobo, Carvalho structured the display Feira de Música Popular, with Nara Leão, Paulinho da Viola, Caetano Veloso, and Torquato Neto. That same calendar year, he provided lectures about Villa-Lobos in Portugal, Spain, and France. As movie director from the Funarte base, he implemented essential musical projects just like the Pixinguinha, which contains shows throughout Brazil presenting brand-new talents beneath the auspices of consecrated types.