Eric Reed

Pianist Eric Reed is among a lot of talented music artists who all emerged from Wynton Marsalis’ rings to pursue a rewarding single profession in his very own right. Delivered in Philadelphia in 1970, Reed’s initial contact with music emerged through his dad, a minister and regional gospel vocalist; he started playing piano at age group two and shortly uncovered jazz, quickly developing right into a musical prodigy. He inserted music college at age group seven, and resisted traditional training in favour of jazz, motivated in early stages by Dave Brubeck, Ramsey Lewis, Artwork Blakey, and Horace Sterling silver. Four years afterwards, he moved along with his family members to LA, where he digested more than enough jazz background that he could begin experimenting the city’s jazz picture as an adolescent, both being a innovator and a sideman for famous brands Gerald Wilson, Teddy Edwards, John Clayton, and Clora Bryant. He 1st fulfilled Wynton Marsalis at age group 17, and toured briefly using the trumpeter the next year (his 1st in support of at Cal State-Northridge). In 1989, Reed officially became a member of Marsalis’ music group as the alternative to Marcus Roberts; the next year, he released his debut recording as a innovator, A Soldier’s Hymn, on Candid, with support by his regular trio of bassist Dwayne Burno and drummer Gregory Hutchinson. In 1991 and 1992, Reed caused Freddie Hubbard and Joe Henderson like a sideman, time for Marsalis’ group by the finish of 1992. He cut a set of well-received albums for MoJazz, It’s FINE to Swing as well as the Golf swing and I, in 1993 and 1994, and in 1995 embarked on his first tour as innovator of his personal group. Two even more times for Impulse!, 1996’s Musicale and 1997’s Pure Creativity, found his design maturing and his crucial and commercial achievement developing; he also spent 1996-1998 using the Lincoln Middle Jazz Orchestra. 1999’s Manhattan Melodies, his first outing for Verve, was a vibrant and advanced tribute to NEW YORK; that 12 months, he also undertook probably the most prominent of many film-scoring tasks, the Eddie Murphy/Martin Lawrence humor Existence. Reed also continuing to record with Marsalis up in to the fresh millennium. 2001 brought the acclaimed Joy on Nagel-Heyer, and another year noticed two produces, the well-received From My Center and a duet recording with regular cohort Wycliffe Gordon on trombone, We. He documented and played regularly during following years, including another quantity with Gordon (We, Vol. 2) and many classes for Savant. In ’09 2009, Reed released the gospel-inspired Stand! and came back the following season with Plenty Golf swing, Plenty Spirit, a duet record with Cyrus Chestnut. You start with 2011’s The Dance Monk, Reed embarked on a continuing recording task of Thelonious Monk’s music; a style he revisited on 2012’s Baddest Monk and 2014’s The Exciting Monk.