The ’40s big-band scene was home not merely to a frontman named George Hall, the main one who gave vocalist Dolly Dawn her start, but to a sideman from the blend-in style aswell, a baritone saxophonist also named George Hall, whose slim quantity of recorded features add a mid-’40s aggregation fronted by R&B vocalist Walter Dark brown. Hall also required component in a few jazz saving classes in 1949, supposedly doubling on at least an added reed instrument.