Tag Archives: Post-Bop

Chuck Israels continues to be most widely known for his use the Costs Evans Trio (1961-1966), but he continues to be a significant educator because the 1970s. A sophisticated and supportive bassist, Israels’ initial documenting was the 1958 conference between John Coltrane and Cecil Taylor. He used George Russell’s sextet …

Craig Handy’s performing runs from bop to advanced post-bop. Since participating in North Texas Condition College or university (1981-1984), he spent some time working with Artwork Blakey’s Jazz Messengers, Wynton Marsalis, Roy Haynes, and Abdullah Ibrahim; and documented with Elvin Jones and Betty Carter, amongst others. Handy’s two Arabesque produces …

Although currently in his mid-thirties at that time, Craig Bailey emerged in the mid-’90s to be perhaps one of the most regularly inventive and possibly significant reed players of his generation. He previously performed in his indigenous Cincinnati and researched at the College or university of Miami, graduating in 1984. …

Swiss trombonist Christophe Schweizer made his name being a music group leader, dealing with groupings like 5SIX7 and Regular Garden. Also an associate of other groupings (like the Mingus Big Music group,) his popularity spread internationally, starting the entranceway for worldwide concerts and many appearances on the Montreux Jazz Celebration. …

Post-bop pianist Greg Burk was created in Lansing, MI, to parents both energetic in classical music. He examined piano from a age group, sometimes along with his improv-minded grandmother, and became a member of his high school’s jazz music group while playing gigs for pay out privately. He researched at …

Violinist Christian Howes is a technically proficient, forward-thinking musician having a bent toward progressive jazz, bluegrass, and classical music. Given birth to in Columbus, Ohio, Howes started playing traditional violin at age group five and by his teenagers was competing in a variety of national classical contests aswell as going …

The closest thing the West Coast jazz scene must its actual nature will be drummer Chuck Flores, and not simply due to the sound of his surname. He continues to be involved almost solely with the development of innovative music within this area of the USA through several years of …

Connie Crothers was an associate of this unfortunately not-so-exclusive membership of first-rate jazz improvisers unfairly relegated towards the fringes from the jazz public’s awareness. Why she had not been more popular and/or critically acclaimed acquired nothing in connection with any insufficient skill or originality, for Crothers acquired both to extra. …

Tenor saxophonist J.D. Allen was created in Detroit, Michigan, on Dec 11, 1972. He’s an associate of the 3rd wave of Youthful Lion mainstream jazz players. As a guy, he was affected by the fantastic music artists in Detroit, but upon his introduction in NEW YORK, his actual apprenticeship started. …

Somewhat of the mystery body in jazz background, J.C. Moses was an extremely versatile (and for a while significantly in-demand) drummer who performed in settings which range from mainstream to free of charge jazz. Moses initial gained the interest from the jazz globe in the first 1960s, when he documented …