Daddy-O

b. Brooklyn, NEW YORK, NY, USA. A creator person in Stetsasonic, and for quite a while among hip-hop’s most important figures, Daddy-O is usually remembered fondly because the Quincy Jones of rap. While still an associate of the music group he worked well in areas furthering the A.F.R.We.C.A. program – an anti-apartheid recording and study lead. He in addition has spoken at many college workshops. When Stetsasonic split up in 1990, Daddy-O was known as in to offer remixes for swingbeat classics such as for example Mary J. Blige’s ‘Actual Like’ and Chanté Moore’s ‘Like’s Used Over’. In a short time everyone from Jeffrey Osborne, UNDER-DEVELOPED and They MAY BE Giants towards the Crimson Warm Chili Peppers had been on his casebook, in addition to more standard hip-hop concerns such as for example K9, Queen Latifah and Sound Two. Somewhere else he kept occupied by generating jingles for Casio Consumer electronics, Alka Seltzer and Pepsi, and the like. His debut single recording, and promotional solitary ‘Brooklyn Jump’, noticed a welcome go back to the freewheeling aged college trickery which have been conspicuous by its lack in hip-hop. Nevertheless, this is a 90s edition, though a far more politically aimed album have been documented but scrapped in deference to one which eventually noticed the light of time.