Bondage Fruit

Among the finest types of Japan Zeuhl music, Bondage Fruits created their audio by fusing jointly various musical designs from rock and roll to experimental to cultural. With wild, nearly tribal female performing and interesting instrumentation, the group constructed a strong popularity in japan underground; the music group focused on even more aggressive improvisational materials as their profession advanced and their two vocalists still left. Bondage Fruits was produced in 1990 by Kido Natsuki (electric guitar), Yuji Katsui (violin), and Otsubo Hirohiko (drums). The music group had it’s root base in Deforme, an organization Katsui had started in 1980. Several additional musicians handed down in and out of Bondage Fruits over another three years. Nevertheless, in 1993, the lineup became steady by adding Tamara Kumiko (vibraphone), Okabe Yoichi (percussion), previous person in the Hundred Places of Koenji, Aki (vocals), and Saga Yuki (jazz vocals). The group performed thoroughly in Tokyo over another few years and constructed a strong pursuing in the underground music picture. A cassette launch culled from materials using their live shows offered 300 copies. Happy, the group founded their personal label, Maboroshi No Sekai. In 1994, they released their eponymous debut recording having a decidedly experimental firmness. It received great reviews from your international press as well as the music group constructed upon their audio with Bondage Fruits II (1996), where point Aki experienced left the music group. In the mean time, the group’s shows were drawing bigger audiences for every show, which often featured improvisational materials. Yuki’s departure from your music group remaining the group with out a vocalist, and for some time the group was tossed into confusion. Nevertheless, abandoning vocalists, they released the live record, Bondage Fruits III Recit in 1997, which demonstrated the music group focusing on even more of an improvisational and intense sound. Bondage Fruits IV (1999) highlighted a similar audio and was implemented later that season by Live at IPMF.