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Biography
Even with the flash-in-the-pan specifications of Japan’s turbulent later-‘60s/early-70s post-Group Noises psychedelic rock picture, Blues Creation appeared to emerge from nowhere and mind right back generally there again quicker than most other people. Like a lot of its contemporaries, Blues Creation premiered by way of a budding Japanese electric guitar hero whose brain had been successfully blown with the deafeningly large noises of Led Zeppelin and Dark Sabbath — this getting Kazuo Takeda, who got actually currently spent time playing in European countries and America, and was as a result a first-hand see towards the sonic occasions that spawned large metal’s delivery. But prior to going down that street, Takeda and his selected Blues Creation bandmates, Fumio Nunoya (vocals), Takayuki Noji (bass), and Shinichi Tashiro (drums), documented an eponymous 1969 debut filled up with heavy-handed blues addresses (a technique copied by Bloom Travellin’ Band just one single year afterwards), as befit their selected moniker. But Takeda would shortly have got his stylistic rethink and scrap everything for a fresh lineup comprising Hiromi Osawa (vocals), Masashi Saeki (bass), and Akiyuki Higuchi (drums), coming back in 1971 with Blues Creation’s most renowned artifact, the cryptically called sophomore LP, Demon & Eleven Kids, that was awash in primal, proto-metallic acidity rock. The record would only accomplish legendary status years later, though, so the rest of this year discovered a multi-tasking Blues Creation documenting another album support vocalist Carmen Maki (billed as Carmen Maki & Blues Creation), and a jam-happy concert record entitled just Blues Creation Live. And there was…silence; and by the next 12 months Takeda had made a decision to split up the music group and move back again to London, where he befriended American hard rockers Hill (amongst others), and duly came back to Japan for any tour together in 1975. Right now leading a fresh power trio billed just as Creation, he documented many albums well in to the early ’80s, including 1975’s Creation, 1976’s Felix Pappalardi & Creation (documented with the person himself in Nantucket), 1977’s Pure Electric powered Spirit, 1978’s Super Rock and roll in the best Voltage, 1981’s Lonely Center, and 1982’s Rock and roll City. Within the aftermath, Takeda continuing to execute live, work periods being a musician and manufacturer, and released a lot more than 20 single albums, but it’s probably still Blues Creation’s short but volcanic lifestyle that headlines his amazing CV.
