Pink Anvil

Ministry’s Paul Barker and Maximum Brody compose the cinematic eccentricity of Red Anvil. The duo derives an experimental sound that’s rooted in goth rock and roll, avant-garde, and post-punk for an abstract clutter. In summer season 2002, both isolated themselves close to the Mexican boundary to record a maddening batch of materials. The outcome was the synth-driven Halloween Party, which made an appearance on Ipecac in springtime 2003.