Zuzuca do Salgueiro

Author of the broadly popular strikes “Festa Em fun??o de Um Rei Negro (Pega zero Ganzê),” with which his samba college Salgueiro won the annual Carnaval competition, and “Mangueira, Nossa Querida Madrinha (Tengo-Tengo)” (both vitally important historical adjustments in the samba-enredo), and person in the all-star group Cinco Só, Zuzuca carry out Salgueiro also had some business success being a samba performer in night clubs in Rio. In 2000, Zuzuca released the Compact disc Samba de Raiz, which experienced the strikes “Pega no Ganzê, Pega no Ganzá” and “Vem Chegando a Madrugada.” At 15, Zuzuca relocated to Rio de Janeiro, founding with close friends the Bloco Carnavalesco Independentes da Silva Teles. In 1960, he became a normal in the Salgueiro samba college, where he offered, in 1965, his samba (created with Noel Rosa de Oliveira) “Tudo é Alegria.” Currently a member from the Ala dos Compositores (Composers’ Wing) from the samba college, he published the samba-enredo “Chico-Rei,” which taken to Salgueiro second put in place the annual Carnaval competition of 1964. In 1967, Jair Rodrigues documented with achievement the batucada “Vem Chegando a Madrugada” (created with Noel Rosa de Oliveira). He also experienced success using the samba-enredo “Amores Célebres perform Brasil.” In 1971, the Salgueiro received the tournament with Zuzuca’s “Festa Em virtude de Um Rei Negro.” The bridge from the samba was a melody extracted from a spiritual folkloric march of Folia de Reis, and the effect was to shorten the samba-enredo to create it quicker and even more reliably recalled. As the technique was successful, within the next yr the institution paraded again having a samba-enredo of his, “Mangueira, Minha Querida Madrinha.” The chorus, “Tengo-Tengo,” though, was therefore popular it provoked the contrary effect. As the brief samba was massively divulged through record, radio, and Television before Carnaval, all of the audience present in the real parade sang combined with the samba college; because of this, the complete synchronization of therefore huge a musical ensemble failed, as well as the school’s associates ended to sing at the avenue. That was the real reason for the inglorious 5th place earned with the Salgueiro for the reason that calendar year. Even so, the shortening/thematic simplification presented by Zuzuca would impact all the samba academic institutions, changing the facial skin from the Carnaval for not really using complicated historical themes anymore.