Tag Archives: Supersax

Bassist and arranger Friend Clark began taking part in bass in senior high school, after previous learning piano and trombone. He analyzed in the Chicago Musical University in the past due ’40s, then caused Bud Freeman and Expenses Russo. He toured in the ’50s with Tex Beneke and Les Dark …

Among the primary associates of Supersax, Jay Migliori is definitely a high bop-oriented saxophonist located in LA. He actually began working often in the Boston region in the middle-’50s. Migliori was with Woody Herman’s Orchestra from 1957-58 before placing in L.A. Because the early 1960s he spent some time working …

An excellent trombonist that has spent a lot of days gone by 40 years using business music in NEVADA, Carl Fontana sometimes emerges to remind listeners precisely how technically skilled he’s. The son of the saxophonist, Fontana began playing in his father’s group during 1941-1945, but didn’t gain prominence until …

Jazz trombonist Frank Rosolino matched the idiom’s giants in fluidity, technique, and creativity. He was a comic vocalist, but there is nothing at all funny about his solos. These were soft and dazzling, shipped easily and precision. Created in Detroit, Rosolino started like a guitarist at 10 and trombone later …

Friend Clark was probably one of the most well-known male vocalists from the 1930s and ’40s, successful about radio, in films, and about record — had he lived longer, within the estimation of pop music scholar John P. Cooper, Clark will certainly have already been a rival to Perry Como …

Med Flory appreciated both a lucrative music career and effective stints like a television and film writer and actor. His alto sax and clarinet function were deeply affected by the traditional bebop audio, notably the playing of Charlie Parker. Though he didn’t straight emulate Parker, Flory’s audio, phrasing, and strategy …

A talented pianist who made a direct effect at a age group, Ronnel Bright has already established compositions recorded by Sarah Vaughan, Cal Tjader, Horace Sterling silver and Blue Mitchell, and collaborated with lyricist Johnny Mercer. He gained a piano competition at nine and used The Chicago Youngsters Piano Symphony …

An excellent bop-based pianist who spent some time working with a many top jazz artists, Lou Levy started about piano when he was 12. He used Georgie Auld (1947), Sarah Vaughan, Chubby Jackson (1947-1948), Boyd Raeburn, Woody Herman’s Second Herd (1949-1950), Tommy Dorsey (1950), Auld once again, and Turn Phillips. …

Alongside Lee Konitz, Warne Marsh was probably the most effective “pupil” of Lennie Tristano and, in contrast to Konitz, Marsh spent the majority of his job discovering chordal improvisation the Tristano way. The cool-toned tenor used Hoagy Carmichael’s Teens during 1944-1945 and after the Military, he was with Friend High …

An excellent drummer equally relaxed driving a large band or performing in little mainstream combos, Jake Hanna was a solid asset to some many sessions. He began playing locally in Boston and caused Toshiko Akiyoshi (1957), Maynard Ferguson (1958), because the home drummer at Storyville in Boston, with Marian McPartland …