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Simon Brixi

Simon Brixi has become the outstanding associates of Czech Baroque music style in the first eighteenth hundred years (alongside Jan Dismas Zelenka and Cernohorsky); he effectively combined local vocabulary and personality with high-Italian designs and forms. He was created on Oct 28, 1693, in Vlkava (near Nymburk) in Bohemia. Brixi was informed from the Jesuits in Jicinn between 1711-1717. After completing his fundamental education he remaining the provinces and visited Prague to review law. Following a pattern of several great composers, he left behind law in choice for music and was quickly appointed organist in the popular Tyn chapel on Prague’s Aged City square. Brixi had been producing a name for himself like a composer before he remaining for Prague and his name shows up on compositions in inventory lists from the entire year 1715. It had been probably for this period that he made up one of is own earliest surviving functions, the Latin humor Cancet Preambulans. He appears to have received the 1st percentage to compose music for the musica navalis festivities within the river Vltava in 1720 (commemorating the martyrdom of Jan of Nepomuk), a celebration that he made additional musical contributions between your years 1722-1729. In 1725 he approved another post in Prague, this time around in the chapel St. Martin, also in the Aged City. In 1732 his prodigious child Frantisek was created; he later on became perhaps one of the most important Czech composers from the middle eighteenth hundred years. St. Martins was to become Simon Brixi’s last formal post; the reason for his early loss of life is certainly unknown, but must rank among the ideal loss to Czech music in the first eighteenth hundred years. Stylistically, Brixi’s result is somewhere within the strident and athletic melodic lines of Viennese composers (Caldara, specifically) as well as the complex and eccentric contrapuntal design of his compatriot Zelenka. To chemical substance the tragedy of his early loss of life, no more than 34 verifiable compositions by Brixi survive; these are, however, of top quality and significant musical worth. Among his making it through compositions are many pieces for Development and Christmas, many of which derive from popular Czech Xmas songs (such as for example “Narodil se Kristus skillet”) and sung in the vernacular. Astonishingly, Simon Brixi’s music and lifestyle still await a thorough study.

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