He was among the grand aged men from the Australian jazz picture, occupying a posture of importance for the reason that world that may be in comparison to that of the kangaroo in the isle continent’s wildlife situation. Acheson was gigging back the times when an Australian nightclub work might mean dodging bullets inside a shoot-out, but continued to be active long plenty of to take pleasure from the changeover from the first Wild Western atmosphere towards the comparative elegance of Syndey’s nightlife. His freelance history in the years before and after Globe War II designed he was, by requirement, thoroughly qualified to fill certain requirements of every nightclub or orchestra pit ensembles. From the past due ’40s he previously started gigging with George Trevare in Sydney, and became founded by himself like a bandleader in the middle-’50s. Hotels like the Criterion, which booked the Acheson music group from 1958-1965, had been his most stable companies around Sydney. While this sort of steady work appeared to fizzle using the onslaught of disco in the ’70s, Acheson’s skills like a saxophonist and clarinetist brought him back to actions by 1979, when he started carrying out with bandleaders such as for example Dick Hughes and Alan Geddes. Urged by this fresh spurt of activity, Acheson also started leading his personal group in the Canberra Resort. Acheson also worked well like a journalist during his profession and was frequently quite associated with the Australian Music artists’ Union. A lot of what is present of his playing on documenting was performed during his last years, especially the outstanding Merv Acheson Birthday Concert, documented in 1982. The very best assortment of early materials, from Acheson and several other stalwarts from the Australian picture, is the outstanding History of Jazz in Australia, a Sound Heritage Association publication that also contains a remarkable booklet.