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Kastelruther Spatzen

Kastelruther Spatzen reclaimed the sound and soul of traditional German music for the present day period. Walter Mauroner, Valentin Silbernagl, and Karl Schieder co-founded the group in 1983, deriving their name from the South Tyrol town they called house. Following the improvements of Oswald Sattler, Ferdinand Rier, and Norbert Rier, Kastelruther Spatzen obtained their first strike with 1984’s “Das Mädchen mit den Erloschenen Augen.” Schieder and Ferdinand Rier exited in 1986, inaugurating the lineup adjustments that would turn into a signature part of Kastelruther Spatzen’s lengthy and winding background, although frontman Norbert Rier, Mauroner, and Silbernagl continued to be fixtures for many years. In 1990 the group vied for the Grand Prix de Volksmusik using the smash “Tränen Passen Nicht zu Dir.” Kastelruther Spatzen didn’t win, however the publicity raised their profile throughout European countries, and subsequent strikes including “Eine Weiße Rose,” “Che Bella la Vita,” and “Das Lied der Dornenvögel” produced the group probably the most commercially effective traditional German folk take action of the generation. Within the springtime of 1998, Kastelruther Spatzen produced tabloid headlines when supervisor Karlheinz Gross was brutally murdered. The group documented a tribute strike, “Du Warst Wie ein Bruder,” and founded a large money reward for info resulting in the assailant, however the criminal offense continued to be unsolved. The music group continued documenting well in to the following century, releasing countless discs: one or more brand-new album every year, and occasionally more (the only real year they skipped was 1999, if they had been still in surprise over Gross’ loss of life; they composed for this by releasing zero less than three albums in 2000). In 2013, Kastelruther Spatzen celebrated the 30th wedding anniversary of the debut LP with Globe der Lieder, which like the majority of of the albums conveniently coasted in to the Top Ten from the product sales graphs, peaking at number 4. Using a bottomless repertoire along with a readymade group of fans, their light, steady, syrupy, and sentimental fusion of volksmusik and schlager continuing to delight supporters across Europe.

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