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Elevated by Jehovah’s See parents in locales as disparate as Toronto and Trinidad, it had been no real surprise that Kheaven Brereton, aka k-os (pronounced: chaos) was a bit unique of your typical MC. A vocalist and a rhymer, along with a producer on top of that, k-os demonstrated on his debut recording, Leave (Astralwerks, 2002), that getting preachy didn’t need to indicate getting boring. The LP stood out significantly with lush, instrument-driven agreements to opt for the original hip-hop components of drum coding, samples, and so on. Classical guitar and piano proclaimed the one “Heaven Only Understands”; dub and reggae affects tinged “Freeze.” Lots of the monitors discovered the rapper performing, so much in order that an debate could be elevated in regards to the genre to which k-os actually belonged. Which was just just how he enjoyed it. A tour to aid Exit extended from past due 2002 through summer months 2003; the schedules saw k-os executing with such hip-hop luminaries as India.Arie and Floetry. Leave went on to get International Record of the entire year on the 2003 Supply Awards. K-os came back in Sept 2004 using the similarly ambitious Joyful Rebellion, an archive whose sales strike almost double-platinum amounts. After composing and executing “Burning up to Glimmer” using the CBC Orchestra (an activity that was noted over the network) in 2005, k-os released Atlantis: Hymns for Disco the next year. His 4th album, Yes!, premiered in 2008. The double-disc Dark on Blonde implemented in 2013 with visitor appearances from Fitness center Course Heroes vocalist Travie McCoy and “Glasses during the night” vocalist Corey Hart. Saukrates and Kardinal Offishall made an appearance on his 2015 work Can’t Soar Without Gravity, an recording that parodied Country wide Lampoon’s Vacation using its cover art.

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