Col. Jubilation B. Johnson

Following a success from the Bob Dylan sole “Rainy Day Women, ” producer Bob Johnston met up the key of Dylan’s strap from your Blonde On Blonde sessions in Nashville and documented one album made up of versions of varied rock and roll and r&b standards and strikes. Al Kooper didn’t take part, nor did folks from the Music group (who have been essentially guest music artists), but it’s most likely that Joe South (acoustic guitar), Expenses Atkins (keyboards), Wayne Butler (trombone), Paul Griifin (piano), Ken Buttrey (drums), Jerry Kennedy (acoustic guitar), Wayne Moss (acoustic guitar), Hargus “Pig” Robbins (piano), and Charlie McCoy (bass, acoustic guitar, trumpet, harmonica) had been aboard somewhere on the one-shot outting, probably one of the most obscure of most Columbia rock and roll albums from the middle-1960’s. The record can be an unusual offshoot of Dylan’s achievement and recording background.