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Castro Barbosa

Effective singer Castro Barbosa was the first ever to record perhaps one of the most essential Brazilian songs ever, the Carnival march “O Teu Cabelo Não Nega.” The achievement of his longer and fruitful profession in radio and Television was signed up in a lot more than 82 albums and 148 music. Barbosa was an employee in the Loide Brasileiro when was used by a partner for a check in the Rádio Educadora. Auditioned by Almirante, was employed for his present. Introduced towards the composer André Filho, he documented his first record with Filho’s marcha “Uvinha” and Heitor dos Prazeres’s samba “Hás de Sentir” for Parlophon. After two various other albums for this label, Barbosa was taken up to the RCA Victor business by Paulo Neto, where he was shown to the creative movie director Rogério Guimarãsera. Made by the second option, Barbosa documented “Cantar” (by his past due sibling Fernando Castro Barbosa) and “Tenho Mêperform” (Rogério Guimarãsera). Reaching the regular achievement, Barbosa documented for Victor once again on Dec 21, 1931, this time around immortalizing the music which will be probably one of the most essential Brazilian popular music and the main Carnaval classic ever, “O Teu Cabelo Não Nega” (Irmãoperating-system Valença/Lamartine Babo). For the same recording, he also documented Babo’s “Passarinho… Passarinho.” From that time, Barbosa departed for an extended group of Carnaval strikes like “Lig Lig Lé,” “Praça 11,” “China Pau,” while others. For the reason that period, Barbosa understood João de Freitas Ferreira, who was simply referred to as Jonjoca. Developing a duo, they documented several successful tracks. Having worked in a number of r / c, Barbosa got a big break in Radio Philips’s Programa casé. In 1937, he distributed the successful display Palmolive with Jorge Murad and Dircinha Batista. He opened up like a humorist in the Rádio Transmissora, asked by Renato Murce. Using the acceptation from the viewers, he continuing doubling in both careers. He worked well in the Rádio Mayrink Veiga, in the popular display PRV-8, later on re-titled for PRK-30 in the Rádio Clube perform Brasil. With Lauro Borges, Barbosa opened up a three-month time of year in São Paulo which finished up being truly a ten-year engagement. After spending four years in the Rádio Tupi, they departed for Television Paulista, where they continued to be for four years. Once again in Rio, Barbosa continuing his television profession with his display Só Tem Tantã, at Route 13, and additional shows just like the Piadas perform Manduca and PRK-30, at TV-Rio.

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