Piano-tinkling chanteuses were quite the trend through the war years. But Camille Howard’s two-fisted thundering boogie design, very much like her LA modern, Hadda Brooks, was unquestionably the same as any 88s ace, female or male. Howard was area of the great migration from Tx to the Western Coastline. She was set up as pianist with drummer Roy Milton & the Solid Senders sometime during Globe Battle II, playing on almost all their early strikes for Artwork Rupe’s Juke Container and Specialty brands (notably the groundbreaking “R.M. Blues” in 1945). Sensing her potential following achievement of Milton’s 1947 strike “Thrill Me” (with Howard’s vocal), Rupe started recording her being a highlighted artist by the end of the entire year. Legend provides it that Howard’s biggest strike, the roaring instrumental “X-Temporaneous Boogie,” was improvised on the tail-end of her initial date being a head (its turn, the torch ballad “YOU DO NOT Like Me,” was popular in its correct). Howard’s vocal skills were pretty powerful as well. Her “Fiesta in Aged Mexico” was popular in 1949, while “Cash Blues,” acknowledged to Camille Howard & Her Boyfriends, signed up strong gold coin in 1951. Howard cranked out storming boogies and sultry ballads for Area of expertise through 1953, after that jumped from Government to Vee-Jay just before landing in LA once and for all. Howard’s strong spiritual ties eliminate her secular music profession long ago.