Billy Heagney

Tin Skillet Alley tunesmith Billy Heagney had a work of good luck with music about Hawaii from the first ’30s. In some instances the quantity of credit getting poured on him like pineapple juice ought to be doubled, as the brands of his co-writing companions tend to end up being aliases for greedy web publishers increasing their total amount of royalties gathered as though fencing in just one more seaside as private property or home. No such issue would happen “In the Property of Golden Dreams,” among Heagney’s ultra-idyllic portraits from the Hawaiian Isles and quite regular in a method also exploited by strike songwriters of your day such as for example Spencer Williams, Paul Denniker, and Marvin Smolev — the second option a article writer who paired sometimes with Heagney but in fact existed. That’s a lot more than can be stated for or from the attractive-sounding Roxanne Hampton, a pseudonym for maker Joe Davis, whose component on paper down “Down Hawaii Method” boils down to hardly any. Heagney published “Somebody’s Lonesome in Hawaii” by himself, maybe indicating that the songwriter was the lonesome one, but even better surely got to retain a complete share from the writer’s acreage when it had been published. The track competed within an aloha-holic atmosphere with Smolev’s “North Hawaiian Skies,” Denniker’s “IN MY OWN Imagine Waikiki,” and Williams’ “Hawaiian Kisses.” Some Hawaiian fever lingered in the strike parade in to the ’50s, but Heagney most likely do well for himself diversifying, his tunes on other topics including “Keep Me and Collapse Me Near Your Heart” — which appears like mostly of the songs written from your perspective of the envelope — and the wonderful ragtime “12th Road Blues.” This songwriter himself sang on the recording program in 1926.