Arthur Marshall was created on a plantation in Saline Region, MO, and moved along with his family members to Sedalia once the young man was 3 or 4 yrs . old. Scott Hayden was Marshall’s schoolmate throughout their formative years with Lincoln SENIOR HIGH SCHOOL. In 1896 Scott Joplin remained with the Marshall family members for a couple months while looking for lodgings of his personal. The two close friends excelled under his tutelage, and started to compose their very own music with a lot of training from Joplin. When they could easily get aside with it these were carrying out at the neighborhood clubs, which in those days included the Maple Leaf and Nellie Hall’s. In addition they supplied musical entertainment inside specific sporting homes. Parental disapproval was assuaged by the number of tips earned past due at night. This is in 1899. Marshall acquired originally been classically educated, and now consuming Joplin he was blossoming right into a completely developed ragtime musician. He also examined music theory on the Methodist George R. Smith University for Negroes, as Joplin acquired before him. It had been around this period that Joplin and Marshall performed piano within the city’s parks as the open public danced. Marshall afterwards stated that “rags had been performed in Sedalia before Scott Joplin resolved there, but he surely got to producing them really move.” Marshall recalled Joplin’s still left hands playing a bassline that “swung exceedingly well.” Both guys collaborated on a bit that Marshall composed designs and Joplin the trio, or middle section. When John Stark released it in 1900, he utilized an image of his regular shoeshine youngster in the sheet music’s cover, and known as the choice “Swipesy Cakewalk” due to the obvious “cookie swiping” appearance in the child’s encounter. From 1900 to 1902, Marshall toured with McCabe’s Minstrels, using piano accompaniments for the serves and during intermissions. He also proved helpful the cymbals in road parades beneath the management of Bunk Johnson. In 1903 he was pianist at Tom Turpin’s Rosebud Saloon as well as for the Scott Joplin Theatre Organization in St. Louis. He performed at St. Louis’ Spanish Cafe for some time in the Louisiana Buy Exposition in 1904, producing $12 weekly until, based on Rudi Blesh, “the loud music group at Hagenbeck’s Pet Show over the Pike drove him out and an Iberian orchestra required his place.” Marshall relocated to Chicago in 1906, playing in the Lewis Saloon, Charlie Baskett’s Eureka Saloon & Winter season Garden, with the apparently disorienting Reflection Restaurant. Having survived a short and unhappy 1st marriage, Marshall right now wedded his soulmate, Julia Jackson. He published a two-step and known as it “Kinklets.” When Joplin arrived and remained with him, Marshall orchestrated Joplin’s most recent bit of function, “Ragtime Dance.” He also collaborated with Joplin on a lovely thing known as by the name of “Lily Queen.” Marshall’s last constant gig in Chicago was at the La Salle Resort, run by probably the most notorious white slave smugglers within the continental USA. Marshall released “The Peach,” “Pippin Rag,” along with a truncated name known as “Ham and — Rag” in 1908. He came back in 1910 to St. Louis where he spent six years operating at Tom Turpin’s Eureka, after that in the Moonshine Landscapes. In 1914, Marshall devised an set up of Turpin’s “Pan-Am Rag.” After that in 1916 Julia passed away while having a baby with their third kid. Her husband experienced terribly from your shock and reduction. A anxious condition occur, causing sudden weight reduction and involuntary spasms from the remaining hands. Marshall withdrew from musical activity, transferred to Kansas Town, remarried, tended a backyard, and raised hens for a long time. In 1950 he were able to publish three parts left over in the heyday of 1907-1908: “Country wide Award Rag,” “Sterling silver Arrow,” along with a gradual drag known as “Missouri Romp.” He also enjoyed a tiny comeback through the 1950s, playing piano for a completely new open public. Two even more rags were presented in 1966: “Hundred years Award” and “Sterling silver Rocket.” “Small Jack’s Rag” was released posthumously in 1976. Arthur Marshall passed on in the 18th of August 1968.