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Alessandro Striggio (the Younger)

Alessandro Striggio younger began existence in the top echelons of Mantuan courtroom culture, and rose following that. He received his musical genes (and perhaps, schooling) from both parents; Alessandro Striggio the mature was a well-known madrigalist also portion the Gonzaga courtroom, and he wedded the vocalist and lutenist Virginia Vagnoli. Alessandro the kid makes his initial documented appearance ever sold as a new player in the marvelous orchestra set up for the 1589 Medici wedding ceremony festivities. Nevertheless, the boy initial went to rules school in planning for that more profitable profession. His twenty years’ of politics service towards the Mantuan Dukes, certainly, raised him to commendable status. Subsequently, Rossi offered as secretary towards the Duke, Mantuan ambassador to Milan, and Chancellor (by 1628). He ultimately also obtained the commendable rank of Marquis. Neither rank nor placement could save him, nevertheless, from contracting the plague; he passed away from the dread malady in Venice in 1630, while on a diplomatic objective. Alessandro also preserved his early curiosity about music throughout his lifestyle. As soon as the middle-1590s he was contracting with web publishers to print the ultimate posthumous series of his father’s madrigals. Striggio’s put in place music background was then covered by his collaborations with Claudio Monteverdi in Mantua and soon after. Striggio was an associate from the Mantuan firm the Accademia degli Invaghiti, which comissioned Monteverdi to create his initial opera, Orfeo (1607). Striggio himself had taken the exemplory case of Ottaviano Rinuccini’s Euridice and constructed the libretto for Monteverdi. Likewise, he collaborated with Marco da Gagliano for just two opera libretti in 1608. Also after Monteverdi still left Mantua to serve as Maestro di Cappella for San Marco in Venice, Striggio continuing matching and collaborating with him. Striggio most likely composed at least two additional libretti for Monteverdi, those for the (dropped) cantata Apollo, as well as for Monteverdi’s 1616 ballet Tirsi e Clori.

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