Creator of Berlin’s Digital Hardcore Recordings, Alec Empire created a few of the most musically diverse functions from the 1990s, saving both as himself and with the trio Atari Teenage Riot. Empire was frequently discovered with (and pigeonholed due to) his ATR productions — lo-fi breakbeats performed at the swiftness of thrash that concurrently embraced the power of punk, the uncompromising ferocity of commercial music, the attitude of hip-hop, as well as the futurism of techno. On his single albums, nevertheless, Empire ranged through isolationist ambient, electro, breakbeat, hard techno, ragga-jungle, as well as twisted lounge music. Therefore, he gained followers in several areas while documenting for the German experimental/digital label Mille Plateaux. Still, his 1st American exposure arrived when the Beastie Kids’ Grand Royal Information authorized Atari Teenage Riot in 1996. Created on, may 2, 1972, in Western Berlin, Alec Empire was affected by rap as well as the breakdancing picture. Later he started hearing early punk and performed in several rings during the past due ’80s. From the turn from the 10 years, Empire became fascinated with the audio of acidity and techno, though he detested the medication culture natural at raves. He started documenting EPs for Drive Inc. — aswell simply because their subsidiary, Mille Plateaux — and produced Atari Teenage Riot in 1992 with Carl Split and Hanin Elias. A somewhat more rock-oriented task, ATR even so centered on the severe: their politics designs and screamed vocals had been motivated by punk, however the music focused on acidity synth and distorted breakbeats. After an Atari Teenage Riot cope with Uk Phonogram collapsed, Empire utilized the cash at hand in the Phonogram agreement to discovered Digital Hardcore Recordings in 1994, launching EPs that calendar year by himself aswell as EC8OR, DJ Bleed, and Sonic Subjunkies. ATR and Empire also documented for Riot Beats, a short-lived Drive Inc. sublabel that distributed (and somewhat predated) the Digital Hardcore visual. In 1994, Mille Plateaux released Alec Empire’s debut single record, Generation Superstar Wars. The album’s preliminary pressing included questionable cover art having a stormtrooper using a swastika on his helmet. Empire provides always preserved a totally anti-fascist and anti-Nazi position, as well as the artwork was designed as public commentary, nonetheless it was however banned because of German regulation, and changed by a dark cover with text message. Two even more Mille Plateaux albums made an appearance in 1995: the compilation Limited Editions 1990-94 and Low on Snow (The Iceland Classes). That same yr, Atari Teenage Riot documented 1995, the first recording to become released on Digital Hardcore. After two 1996 LPs, Hypermodern Jazz 2000.5 and ambient/musique concrète album Les Etoiles des Filles Mortes, Empire issued his first album for Digital Hardcore, The Destroyer. Harder and even more extreme than anything he’d created before, the recording was instrumental in creating the breakcore genre, along with recordings by Panacea, DJ Scud, Christoph Fringelli, and Digital Hardcore performers such as for example Christoph De Babalon and Patric Catani. Immediately after, the DHR collective — including ATR and EC8OR — toured the Claims in the invitation of Grand Royal Information, the label managed from the Beastie Kids. Grand Royal started liberating 7″ singles by Empire, ATR, Shizuo, and EC8OR by the end of 1996. Atari Teenage Riot released their American debut, Burn off, Berlin, Burn off (a compilation of songs from earlier DHR produces), and Empire remixed tunes by Björk, Cibo Matto, Buffalo Child, and many more. Squeeze the Cause, a compilation of Empire’s produces on Riot Beats, also made an appearance on DHR in 1997. A container set entitled The Geist of Alec Empire, gathering monitors from Empire’s Mille Plateaux produces and compilations, was released by his self-formed Geist Information, which afterwards reissued the albums independently. Empire collaborated with Techno Pet (Kevin Martin and Justin Broadrick) with an record of dark, abstract hip-hop, acknowledged towards the Curse from the Golden Vampire. The self-titled record made an appearance in 1998. Empire’s single record Miss Dark America, which alternated digital hardcore monitors with an increase of abstract pieces, made an appearance in past due 1998. ATR’s 60 Second GET RID OF, their initial to feature 4th member Nic Endo, made an appearance in 1999. That same yr, Empire released We Punk Einheit!, a chiptune recording composed on a casino game Boy and acknowledged to Nintendo Teenage Robots. Also, Khan’s Un Turco Loco label released Alec Empire Vs. Elvis Presley, a bootleg recording of digital hardcore remixes of Presley music. The recording was Empire’s last launch in the frenetic breakcore design he was most widely known for. Because of the loss of life of Split in Sept of 2001, ATR split up, but Empire and Endo continuing to interact. Empire’s double recording Cleverness & Sacrifice made an appearance in 2002, and ranged from brutal electro-punk (co-produced with Endo) to sci-fi-inspired ambient and electro. This is followed by some live albums (including a sound record with Merzbow documented at renowned N.Con.C. punk membership CBGB) prior to the guitar-heavy Futurist made an appearance in 2005. Empire and Endo made a fresh label known as Eat Your Center Out in 2007. The label released Empire’s brand-new wave-influenced The Golden Foretaste of Heaven that calendar year, and digitally reissued many products in the DHR catalog in 2008. Bass Terror, a dual record of hardcore monitors from Empire’s Drive Inc. times, also made an appearance. Shivers, continuing at night new wave path of his earlier recording, was released in ’09 2009. ATR announced their reunion in early 2010. Elias didn’t take part in the reunion, and American MC CX Kidtronik changed the deceased Split. The band performed several concerts and celebrations in European countries, Asia, and THE UNITED STATES throughout 2010 and 2011, and studio room recording Is normally This Hyperreal? was co-released with a reactivated DHR and Steve Aoki’s Dim Mak. Kidtronik was changed by MC Rowdy Superstar, and ATR’s Reset made an appearance in 2014. While this lineup of ATR continued to be active, Empire documented the soundtrack towards the dystopian film Volt, released by Dependent Information in 2017.