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The Feathers

LA R&B group the Feathers was founded in nov 1954 by business lead tenor Johnny Staton subsequent his stint using the Flyboys, a quintet he assembled even though offering U.S. Air flow Force responsibilities in West Hand Seaside, FL. After generating his military release, Staton came back to his indigenous Southern California and recruited his tenor sibling Louis along with another couple of siblings, Sonny (tenor) and Don Harris (baritone), and bass Mitchell Alexander to create the Feathers. Relating to Marv Goldberg’s profile in the July 1995 problem of Discoveries, the fledgling group quickly befriended regional R&B celebrity Johnny Otis, who organized an audition with the tiny Show Period label. Soon after their debut solitary, “Johnny Darling,” made an appearance in middle-1954, Otis confident the Feathers to ankle joint Show Amount of time in favour of Aladdin, where they slice a second edition from the same record. When Aladdin released its competing edition, Show Period co-owner Peter Morgan submitted an injunction, although neither label’s launch generated much interest at radio or retail. The Feathers’ second Aladdin work, “I WANT a woman,” adopted in early 1955, so when it fulfilled a similar destiny, the group came back to Show Period for the follow-up, “THE TREND IS TO Write Me.” The Harris brothers and Alexander stop the lineup immediately after, prompting Staton to enlist siblings Lenora, Wayne, and Isaiah for the Feathers’ Display Time swan track, “Love Just You.” Upon putting your signature on to Hollywood Information in past due 1955, Harris totally overhauled the roster, adding tenors Roy Allen and Rene Beard aswell up to now another sibling set, Carl (baritone) and Cleo White (bass): “Lonesome Tonight” made an appearance in January 1956, trailed per month later on by “Betty My Darling.” When neither offered, the Feathers break up once and for all, although Staton later on reunited with Allen as well as the Light brothers as the Unforgettables, launching “Daddy SHOULD BE a guy” on Pamela in 1961. After a profession as a program vocalist, Staton resurrected the Feathers name in 1989, documenting three singles for the Basic Performers label with tenor Dave Antrell, baritone Jewel Aikens, and bass Jimmy Colbert.

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