Tag Archives: Doo Wop

A lively issue ensues whenever this issue is posed: Who was simply the initial vocal group to record or possess a substantial record from Cleveland? Many will state the Moonglows, who documented their initial record, “I SIMPLY Can’t Inform No Rest,” on Cleveland’s Champaign Information in 1952; they didn’t record …

Although these were among the extremely biggest rock and roll & roll sets of the 1960s, the Four Seasons — unlike, say, the Beatles, Rolling Stones, or the Byrds — don’t excite virtually automatic respect from listeners and critics. A huge factor is certainly their most distinguishing brand, the high …

The Chordettes were among the longest-lived vocal groups with root base in the mainstream pop and vocal harmonies from the 1940s and early ’50s. Even though the four women’s preparations owed more towards the Andrews Sisters than doo wop, they do, unlike a lot of their peers, confirm fairly adaptable …

The Chants were uncommon, even among the legions of Liverpool rings building music in the first ’60s, on two counts. Initial, these were a vocal tranquility quartet inside a town that was mainly known because of its hard-rocking electrical bands. Second, these were black, inside a town that didn’t possess …

The Fiestas’ career spanned almost 20 years, plus they came along at the same time when soul music was gaining prominence in the vocal group scene. Their biggest strike was 1959’s “Therefore Great,” which reached number 3 over the R&B graphs before crossing to amount 11 over the Sizzling hot …

A doo wop ensemble that recorded for many small brands in the past due ’50s and early ’60s, included in this Mirasonic, Safari, AMC, Amy, and G-Clef, but by no means scored any R&B hits despite building some charming love tunes.

With girlish harmonies, swanky guitar riffs, stylish synth beats, and a kitschy cool sense of fashion, Dublin indie rock and roll outfit the Chalets came collectively in 2001. Paula Cullen (vocals/keyboards), Caoimhe Derwin (vocals, keyboards), Chris Judge (bass), Enda Loughman (acoustic guitar), and Dylan Roche (drums) deliver a spunky demonstration …

Even though the Fleetwoods’ sound was smooth, without lots of the rougher edges of doo wop groups, these were mostly of the white vocal sets of the past due ’50s and early ’60s to take pleasure from success not merely for the pop charts, but also the R&B charts. Their …

You will not find the Five Crowns mentioned generally in most music reference books, also those devoted specifically to ’50s rock & roll. Many supporters of R&B vocal groupings, however, respect them as the definitive Harlem vocal group, and some merely declare them the best vocal group that ever resided. …

The Bluenotes were a ’50s vocal group from Asheboro, NC, comprising Ralph Harrington, Pat Patterson, Tom Underwood, and Joe Tanner. That they had a pop singles graph entrance in 1959 with “I HAVE NO IDEA What IT REALLY IS.”