Tag Archives: Doo Wop

Created in 1998, Legends of Doo Wop features members from four 1950s vocal teams. Jimmy Gallagher was an associate from the Passions, who experienced popular with “Merely to Become With You.” Tony Passalacqua (aka Tony Passa) experienced strikes with “Chapel Bells” and “Oh Rosemarie” when he was an associate from …

Most widely known for the main R&B strike “My True Tale,” the Jive Five were mostly of the vocal groupings to survive the changeover in the ’50s towards the ’60s. Along the way, they helped move the music itself forwards, providing an integral hyperlink between doo wop and ’60s spirit. …

The Jesters are most widely known because of their soaring falsetto-driven small hit “So Strange” and because of their cover versions from the Chantels’ “The Plea” as well as the Diablos’ 1954 basic “The Blowing wind” (which had established Nolan Strong’s place as an R&B tale). The last mentioned barely …

Lead singer Adam “Shep” Sheppard co-wrote some velvety doo wop ballads for the Heartbeats through the mid-’50s; one entrance, “ONE THOUSAND Miles Apart,” was an enormous R&B vendor in 1956. The Queens, NY quintet started its string of street-corner classics with “Crazy for you personally” and “Darling How Longer,” culminating …

A lively issue ensues whenever this issue is posed: Who was simply the initial vocal group to record or possess a substantial record from Cleveland? Many will state the Moonglows, who documented their initial record, “I SIMPLY Can’t Inform No Rest,” on Cleveland’s Champaign Information in 1952; they didn’t record …

Although these were among the extremely biggest rock and roll & roll sets of the 1960s, the Four Seasons — unlike, say, the Beatles, Rolling Stones, or the Byrds — don’t excite virtually automatic respect from listeners and critics. A huge factor is certainly their most distinguishing brand, the high …

The Chordettes were among the longest-lived vocal groups with root base in the mainstream pop and vocal harmonies from the 1940s and early ’50s. Even though the four women’s preparations owed more towards the Andrews Sisters than doo wop, they do, unlike a lot of their peers, confirm fairly adaptable …

The Chants were uncommon, even among the legions of Liverpool rings building music in the first ’60s, on two counts. Initial, these were a vocal tranquility quartet inside a town that was mainly known because of its hard-rocking electrical bands. Second, these were black, inside a town that didn’t possess …

The Fiestas’ career spanned almost 20 years, plus they came along at the same time when soul music was gaining prominence in the vocal group scene. Their biggest strike was 1959’s “Therefore Great,” which reached number 3 over the R&B graphs before crossing to amount 11 over the Sizzling hot …

A doo wop ensemble that recorded for many small brands in the past due ’50s and early ’60s, included in this Mirasonic, Safari, AMC, Amy, and G-Clef, but by no means scored any R&B hits despite building some charming love tunes.