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Tag Archives: Apocalyptic

Kreng

Kreng is a dark ambient/contemporary classical/soundtrack task conjured up by Belgian musician Pepijn Caudron, who’s associated with movie theater group Abattoir Fermé. Caudron’s recordings combine ghostly operatic vocals, shuffling jazz drumming, eerie dialogue examples, and levels of acoustic instrumentation, making dark, suspenseful soundscapes. Originally a sample-based task, Kreng evolved to …

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Altar of Plagues

Mixing the suffocating blasts of black colored steel with post-metal atmospherics, Altar of Plagues broaden some already extreme genres into new territories. Structured out of Cork, Ireland, the music group strikes an excellent balance between your two styles, adding quieter, even more open occasions to its music to split up …

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Fleshgod Apocalypse

Using a sound it doesn’t a lot discover the worlds of classical and death steel merging since it does colliding, Italian band Fleshgod Apocalypse are one particular rare bands whose music is in fact more brutal and outrageous than their name. Structured out of Rome, Italy, the music group came …

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Silent Servant

Silent Servant may be the pseudonym of Californian techno artist Juan Mendez, and using a musical background stretching back again to the middle-’90s; Mendez is normally no stranger towards the techno picture. Originally making as Jasper and working the experimental techno label Cytrax, Mendez befriended Karl O’Connor (Regis) by the …

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Prurient

Prurient may be the most well-known task of American designer Dominick Fernow, probably one of the most visible and influential numbers of the first 21st century sound picture. Prurient’s myriad recordings and several collaborations have already been severe, volatile, and uncompromising, offering screamed lyrics about assault, sex, isolation, and substance …

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Karlheinz Stockhausen

Karlheinz Stockhausen emerged in early stages among the most influential and unique voices in the post-WWII Western music avant-garde and his prominence continued through the entire remaining twentieth hundred years and in to the twenty first. Merging a keen level of sensitivity towards the acoustical realities and likelihood of audio, …

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Lenny Dee

A local New Yorker that has led an extended, multifaceted profession encompassing many varieties of music, Lenny Dee is without a doubt perhaps one of the most important, influential statistics in hardcore techno. Along with fellow Brooklynite Frankie Bone fragments, Dee helped create New York’s techno/rave picture through the ’80s. …

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Aaron Dilloway

Aaron Dilloway is among the most creative, prolific, and revered statistics in the Midwest American experimental/sound scene. His shows and recordings integrate rhythmic loops from eight-track tapes, vocal improvisations, discovered noises, and field recordings. He uses get in touch with microphones to be able to generate severe, feedback-laced noises, occasionally …

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Exhumed

San Francisco’s Exhumed play gore-obsessed loss of life metal having a tongue-in-cheek flair and a standard musical strategy often similar to Carcass, a music group they have frequently known as a primary impact. They possess endured continuous lineup changes to be, if not really a extremely original take action, at …

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Extreme Noise Terror

Grindcore pioneers Great Noise Terror shaped in Britain in early 1985 like a straight-edge anarchist punk group, originally comprising vocalists Phil Vane and Dean Jones, guitarist Pete Hurley, bassist Jerry Clay, and drummer Pig Killer. The group’s sound combined the whirlwind velocity, politics lyrics, and succinct tunes of hardcore and …

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