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Tag Archives: 1926 in Madison

Lee Hoiby

Lee Hoiby continued the neo-Romantic custom of Samuel Barber and Gian Carlo Menotti (in whom he studied), forging an idiom that’s both melodic and accessible. He examined piano under Gunnar Johansson and Egon Petri, originally likely to turn into a pianist, but Menotti asked him to review composition on the …

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