Rickie Simpkins

A fiddler because the age group of six, Rickie Simpkins is a genuine expert of his instrument with efforts to a reasonably overwhelming set of albums. We were young in Montgomery Region, VA, immersed within the noises of his family’s Appalachian origins, Simpkins would find out the banjo, acoustic guitar, and fiddle as a kid, even carrying out with heroes Flatt & Scruggs at age nine. By enough time he graduated from senior high school, he had been recruited from the McPeak Brothers like a full-time member, a gig he’d continue through the entire 1970s and in to the early ’80s. Quickly, Simpkins had became a member of the Virginia Squires and discovered himself as an associate of one of the very most acclaimed bluegrass rings within the event circuit, eventually liberating the critically acclaimed The Heights of Lawn in the first ’80s. Simpkins further cushioned his resumé as an associate from the Tony Grain Unit, merging traditional bluegrass and jazz and cementing his status like a virtuosic performer. That status allowed him the opportunity to walk out by himself when became a member of with an all-star bluegrass solid in 1997’s Dance within the Fingerboard, where he’d lead the fiddle, mandolin, and business lead vocals, in addition to commence to catalogue his personal life like a songwriter. From the past due ’90s, Simpkins was splitting time taken between the Lonesome River Music group as well as the gospel group the Isaacs, while also performing session use Mary Chapin Carpenter and Randy Scruggs. His second single launch, Don’t Fret It, found its way to 2002 with an identical cast of bluegrass elites in tow and his brand instrumental prowess completely evidence.