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Oneohtrix Point Never

Among Brooklyn-based experimental musician Daniel Lopatin’s many tasks, Oneohtrix (pronounced “one-oh-tricks”) Stage Never encompasses streaming consumer electronics that evoke Tangerine Fantasy; ambient drones and excursions into sound, and forays into daring sampling. Developing up, he was motivated with the synth noises of Mahavishnu Orchestra and Stevie Question in his father’s record collection, aswell as classic gaming soundtracks such as for example Metroid. Oneohtrix Stage Never surfaced in the past due 2000s, around enough time that Lopatin was also using the trio Astronaut and focusing on another single project, Infinity Home window. His initial OPN full-length, 2007’s Betrayed in the Octagon, launched Oneohtrix Stage Never’s sci-fi bent, that was emphasized by Lopatin’s Roland Juno-60 synthesizer and Korg Electribe Sera-1 sampler. Cassette-only attempts such as for example 2008’s Transmat Remembrances paved just how for any prolific 2009, including a cassette cooperation with Keith Fullerton Whitman aswell as two even more albums, the reflective Russian Brain and the relatively bright and available Areas Without People. Both of these albums, along with Betrayed in the Octagon and chosen songs from OPN’s cassettes, had been released as Rifts past due in ’09 2009 by No Fun Productions. Lopatin proceeded to go further afield on 2010’s critically acclaimed Editions Mego launch Returnal, incorporating sound aswell as more available melodies in to the recording. He also founded the program label, an imprint written by Mexican Summer time, with friend and Tigercity member Joel Ford. In 2011, Oneohtrix Stage Never performed the All Tomorrow’s Celebrations event curated by Pet Collective and released Imitation — which presented samples from advertisements and was also Lopatin’s 1st recording recorded inside a studio room — on Software program that November. Almost two years later on, Oneohtrix Point By no means produced its Warp debut with R Plus Seven, which presented a few of Lopatin’s most fragmented and ambitious songs to day. That 12 months, Lopatin collaborated with Brian Reitzell around the rating to Sofia Coppola’s film The Bling Band and in addition participated inside a cooperation between Warp as well as the Tate Gallery, composing a bit influenced by Jeremy Deller’s THE ANNALS of the Globe, which diagrammed the interconnectedness of acidity jazz and brass rings. Music from Rifts and R In addition Seven also made an appearance in 2014’s Like Child, an HBO documentary about gaming addiction. Oneohtrix Stage Never’s many tasks that 12 months included Commissions I, an archive Store Day launch featuring music created for the Polish Symbols project in the Sacrum Profanum event, among other items. That Oct, Lopatin’s soundtrack for Koji Morimoto’s 1995 anime Magnetic Rose received a live globe premiere at Manchester, England’s Jodrell Lender Center for Astrophysics. Oneohtrix Stage Never also became a member of Nine Inch Fingernails and Soundgarden around the July and August times of their tour, taking part in half-hour units of cyberdrone music rather than songs from his albums. Commissions II showed up on Record Shop Day time 2015 and included an excerpt from the Magnetic Rose rating aswell as “Bullet Hell Abstraction,” a two-part piece influenced by Manabu Namiki’s gaming music that was commissioned from the Crimson Bull Music Academy. That November, the full-length Backyard of Delete — that was motivated by Lopatin’s period on the highway with NIN and Soundgarden aswell as his restored interest in your guitar — premiered.

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