b. 1854, d. 24 June 1926, Very long Branch, NJ, USA. Although Mitchell began like a dancer in the chorus, the starting point of deafness intended that he was struggling to continue along with his art. Instead, he flipped his like for and skill at dance to choreography and path. In the second option capacity, he utilized assistants for issues associated with dialogue and tracks and concentrated within the visual areas of the displays which he worked well. An early achievement was A VACATION To Chinatown (1891). His high-quality productions, and specifically his sweeping usage of motion, allied to his insistence on his performers being thoroughly ready and well rehearsed brought him towards the interest of front-rank people in showbusiness. He aimed displays for the favorite double action of Joe Weber and Lew Areas as well as for Broadway impresario Florenz Ziegfeld. The last mentioned became alert to Mitchell’s skills through a succession of strike musical comedies like the Wizard Of Oz, starring David Montgomery and Fred Rock, Victor Herbert’s Babes In Toyland (both 1903) as well as the Pink Female (1911). For Ziegfeld, Mitchell staged the initial Ziegfeld Follies (1907) and eventually another six. In his fairly short time near the top of his job, Mitchell not merely staged nearly 80 displays, he also laid the bottom guidelines for Broadway musical revues, and specifically is provided credit for creating the idea of the production amount. The last present which he proved helpful was the 1926 model of Ziegfeld Follies, that was entitled No Foolin’. Used ill, he passed away on opening evening.