José Vianna da Motta

Portuguese composer and pianist José Vianna da Motta was, along with Scotsman Frederic Lamond, the final college student to enter Franz Liszt’s piano grasp class in its last season of 1885-1886. His research started at Lisbon Conservatory, but he used in Berlin and analyzed with Xaver and Philipp Scharwenka. From then on arrived Vianna da Motta’s program with Liszt, so when Liszt passed away through the Bayreuth Event in the summertime of 1886, Vianna da Motta analyzed one more 12 months with Liszt’s preferred pupil, Hans von Bülow. In 1887, Vianna da Motta embarked on a global touring routine that held him quite occupied before outbreak of Globe War I, getting him to america in 1892 and once again in 1899. During his years like a touring virtuoso, Vianna da Motta was located in Berlin and loved a close companionship with Ferruccio Busoni. They performed many duo-piano concerts collectively and cooperated in editing and enhancing functions of Liszt and Johann Sebastian Bach for publication. When previous Liszt college student Bernhard Stavenhagen passed away in 1914, Vianna da Motta required his place in the Geneva Conservatory in Switzerland, a posture he kept before end of Globe Battle I. In 1919, Vianna da Motta approved the positioning of head from the Lisbon Conservatory, which he kept onto until his pension in 1938. Handling to survive the next World Battle, Vianna da Motta became the final surviving Liszt pupil when Frederic Lamond passed on in Scotland on Feb 21, 1948, but just liked this differentiation for four a few months, as Vianna da Motta passed away that same season on June 1. Vianna da Motta produced many piano rolls for the Welte and Philipps Duca imprints, but just made phonograph information for Routeé in 1928, and they are a blended bag indeed. Nevertheless, in 1936 he was captured within a live radio broadcast of Liszt’s Totentanz that, despite its poor audio, is among the most significant recordings created by a Liszt pupil. Vianna da Motta’s compositions had been lengthy unavailable for research and have just started to emerge since about the entire year 2000. Even so, Vianna da Motta also offered the reason for music considerably in different ways; he uncovered the manuscript of Louis Moreau Gottschalk’s symphony A Evening in the Tropics and released it within a four-hand piano edition within the last season of his lifestyle. This is a touchstone for the full-scale revival of Gottschalk’s music, which wouldn’t normally bloom until 2 decades hence.