An important amount in the annals of American acoustic music, multi-instrumentalist John McEuen is most beneficial known as among the essential associates from the Nitty Gritty Dirt Music group, the group that helped bridge the difference between bluegrass and pop while also introducing a fresh audience for some of the very most essential artists in the annals of nation music. An achieved multi-instrumentalist skilled over the banjo, mandolin, electric guitar, and fiddle, McEuen’s presents have gained him the nickname “the String Wizard,” and he still performs and information regularly within a profession that’s still heading solid after half-a-century. John McEuen was created in Backyard Grove, California on Dec 19, 1945. He created a pastime in music when he was an adolescent, and at age 18, motivated after viewing a performance with the Dillards, he discovered to try out banjo. McEuen shortly gave several lessons to some good friend, Steve Martin, who years afterwards would appreciate his own achievement using the device. It wasn’t a long time before McEuen became efficient on several equipment, and in 1966 he teamed up with some like-minded youthful pickers who acquired a interest for traditional folk, nation, and jug music group noises. The group became referred to as the the Nitty Gritty Dirt Music group, and McEuen became the official member after among the group’s early people, Jackson Browne, remaining to go after a solo profession. With John’s sibling Expenses McEuen as supervisor, the Nitty Gritty Dirt Music group landed a agreement with Liberty Information, and their self-titled debut recording spawned a hit, “Purchase Me For The Rainfall.” The group had been soon ensemble as wandering silver prospectors within the 1969 film Color Your Wagon (where they performed “Hands Me Down THAT MAY o’ Coffee beans”), but after launching three albums that have scored no strikes, the music group took a rest while plotting their following move. The Nitty Gritty Dirt Music group returned to responsibility with a fresh focus on traditional noises while backing from over the novelty areas of their early function. Their 1970 record Uncle Charlie & His Pup Teddy received reviews that are positive, and their cover of Jerry Jeff Walker’s “Mr. Bojangles” became a shock hit single, gaining the group a fresh audience. However the NGDB’s most significant creative triumph emerged in 1972, once the McEuen brothers struck upon the thought of an record of traditional nation standards with a small number of visitor artists, included in this nation music legends Mom Maybelle Carter, Roy Acuff, Merle Travis, and Earl Scruggs. The record, Will the Group End up being Unbroken, was an instantaneous classic that shortly earned a precious metal record despite being truly a bulky three-LP established. The Nitty Gritty Dirt Music group continued to effectively record and tour with the ’70s and ’80s, and in 1977, they truly became the very first American music group to tour the Soviet Union. In 1978, Steve Martin asked his previous friend McEuen and his group to greatly help him record an individual, as well as the NGDB supported Martin on his novelty strike “Ruler Tut” (using the group billed because the Toot Uncommons). In 1986, McEuen still left the Nitty Gritty Dirt Music group and released a solo profession. He released a string of single albums (like the critically acclaimed Acoustic Traveller in 1996 and three installments within the String Wizards series for Vanguard Information), did program work for performers such as for example Michael Martin Murphy and Sam Bush, and started composing ratings for films and television, like the well-known documentary series The Crazy West. During this time period, McEuen continued to be on good conditions with his previous bandmates, creating a visitor appearance for the group’s 1997 Xmas Recording, and in 2001, it had been announced that McEuen got rejoined the Nitty Gritty Dirt Music group. While McEuen juggled a occupied schedule documenting and touring using the Dirt Music group, he continuing to focus on additional projects privately, playing classes with artists which range from Johnny Money to Paul Williams to Phish, and offering as maker and accompanist on Steve Martin’s 2009 recording The Crow: New Tracks for the Five-String Banjo, which earned a Grammy Honor as Greatest Bluegrass Album. You should definitely on the highway, McEuen may be the host of satellite television radio display The Acoustic Traveller.